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Brand Spotlight: Getting to Know Squier Guitars

Squier Background & History

While many of you surely know the brand Squier as Fender’s little brother, did you know that the brand actually predates Fender itself?

Started in 1890 by Victor Carroll Squier, the company originally was originally created to produce strings for violins, banjos, and acoustic guitars.

It continued on successfully until 1965 when Fender purchased the company with the intention of using them as their primary string manufacturer.

Sadly, in 1975, Fender decided to instead make Fender-brand strings for their guitars and ceased Squier’s production, essentially closing the company.

As fate would have it, this was not the end for the Squire company as Fender still owned the rights and in 1982, they decided to produce cheaper, entry level guitars under the Squier brand name overseas and sell them as “Squier by Fender”.

Fender had been attempting to produce cheaper lines of their guitars under their brand name in their Fullerton factory but was finding more and more competition from cheap, asian-imported copies.

Realizing that they couldn’t keep up with the lower prices at mass production levels, Squier was reborn.

Throughout their history, Squier has produced guitars in multiple locations including China, Japan, Mexico, America, and India before modern day operations moved primarily to Korea and Indonesia.

Squier continues to be owned by Fender and reproduces cheaper models of almost all famous, well known Fender standards ranging from Stratocasters to Mustangs.

While many of their guitars are awesome values and fun to play, it is important to remember what makes them cost so much less and how that may affect performance.

First off, mass production of anything overseas is cheaper than it is in America due to loose regulation, cheap labor costs, and sometimes spotty business ethics.

Regardless of your moral or economic opinion of the American manufacturing exodus to Asia, it certainly has helped make guitars cheaper.

Secondly, they rarely use name-brand parts such as pickups, tuners, or bridges, with some exceptions for more expensive, signature models.

Generally, you will not find advanced features like binding, locking tuners, or coil tapping on any of the entry level or mid-level Squier products either.

This doesn’t mean the guitars are poor quality, especially with CNC mass production keeping guitars to strict quality standards.

You just can’t expect much more than the basics from these instruments, which is why they often make great candidates for parts-casters or hot-rodded instruments.

Squier Guitars by Fender

Popular Squier Guitar Series

Following the hugely popular Classic Vibe and Affinity Series, Fender expanded the brand into more eclectic series such as Paranormal and Sonic.

Designed to appeal to those who want a little more unique personality wrapped in a familiar design, the Paranormal series features quirky takes of mix-and-match body shapes and electronics layouts.

Squier Paranormal Series >>

Squier Sonic Series >>

Squier’s Sonic Series takes another avenue with stripped down features that appeal not only to a tighter pocket book, but embrace a more understated approach to iconic design.

Best Selling Squier Guitar Models

Most Squier models available currently run from $189.99 to $599.99 – depending on the sales source, and can be purchased directly through their site or via popular retailers like Amazon, Guitar Center, Sweetwater Sound, or American Musical Supply.

Are Squier guitars any good?

They often have a robust used market on sites like Reverb.com or eBay.com due to their high production numbers and demand by money-strapped players like me.

They currently have five main series of guitars that they regularly produce at different price points called Bullet, Affinity, Contemporary, Vintage Modified and Classic Vibe.

Discontinued lines that you may still find floating around include the ill-fated Artist series from 2012 or the Deluxe series which produced some nice Strats but not much else. Let’s take a look at some top sellers from all these lines.

Squier Affinity Series Stratocaster HSS Pack

A perfect starter pack for anyone trying to learn electric guitar, Squier has had lots of success with this marketing tactic of packaging a guitar, amp, case, and accessories together.

They have produced these options for both the Bullet and slightly better Affinity Series and can be found at almost any major retailer.

Furthermore, they have tried some packaging of higher end Squier models with low end Fender amps but that resulted in less success.

Often, it meant only getting a guitar and amp with no case/tuner/cord as a way of keeping prices low, which was less appealing to beginners.

With a number of parents buying instruments for their children to learn on, these are an easy way for people who know little to nothing about guitars to safely and securely buy one.

These packs also come in limited acoustic and bass guitar varieties, helping beginners of all kind get their start.

For more info, you might be interested in our complete Affinity Pack review.

If You’re A New Guitar Player

All guitar players have to go through the same process of learning how to play. Today, it’s never been easier – Fender understands this and has put together a great system to help you get started with “Fender Play”.

Squier Bullet Stratocaster

The simplest of all their models, this take on a classic strat is targeted to dominate the entry level market as it features just the bare bones of Fender’s most popular guitar.

Typically retailing for $179.99 it is priced to sell to just about anyone and offers a cheap option for parents of beginners or beginners wary of spending too much money on an instrument they may not stick with.

Often times, these models are sold as part of beginner packages that include a small guitar amp, a strap, guitar cables, picks and anything else you may need to learn to play guitar.

These are incredibly popular and are often the first guitars for many of the players in the latest generations, but they come with limited finish options and don’t feature the tuning stability or fast necks of their Fender counterparts.

Squier Affinity Series Telecaster

Are Squier Affinity telecasters any good?

A step up from the Bullet series is the Affinity series which offers more finish options as well as introducing a Jazzmaster model to the world.

Currently costing $229.99 these are not crazy expensive but are generally regarded as one of the best values in the guitar world and feature much better craftsmanship.

Our writer Matt says, “I even recently purchased one of these Tele’s to turn into a partscaster-copy of Joe Strummer’s famous black Tele and was shocked at how much I liked it before any upgrades.”

These are still entry level guitars but definitely make it a little bit easier to learn on as mine had great tuning stability and a comfortable neck. Also, they tend to come in more traditional Fender finishes such as Butterscotch,

Race Green, or 2-color Sunburst in addition to the White and Black variations of the Bullet line.

Find out more in our complete Telecaster Affinity Review here.

Squier Contemporary Stratocaster HH

Checking in for the Contemporary Series we have a gorgeous Strat with two zebra stripe humbuckers with a finish headstock.

This line was created to add some modern updates to Squier’s family of instruments that target musicians playing high-gain or metal music.

While super-strats have long been the instrument of choice for shredders, hard rockers, and the like, they have often gone for instruments from Jackson, Charvel, or ESP in lieu of hot rodded Fender products.

The Contemporary Series offers Strats with HH, HSH, SSH, and even active EMG-style humbuckers and beautiful, bright finishes to get any 80’s hair rock or modern metalhead in on the bandwagon.

While still incredibly affordable, these are some of the more expensive Squier guitars coming in around $449.99 or more.

Squier Classic Vibe ‘70s Telecaster Thinline

Last but not least is one of Squier’s best series of instruments, the Classic Vibe series. They tend to cost in the mid-hundreds range – the starting price for many of Fender’s made in Mexico series. Still, they have received great critical and commercial reception.

Boasting Squier’s best hardware and pickups, often referred to as “Fender-designed” meaning that they made overseas copies of the same pieces used on Fender USA models, these things play very similarly to high end Fender’s.

All of the Classic Vibe series set out to recreate the magical guitar models that were popularized in the 50’s, 60’s, and 70’s by some of the world’s biggest musicians.

Their take on the ‘70s thinline is one of the most beautiful guitars we’ve seen at this price point, and even features a heavy, smooth gloss finish associated with high end models.

Squier Classic Vibe 50’s Telecaster

What is the best Squier guitar?

We’ve been asked this question many times. If we had to sum it up in one guitar, we’d have. to say it’s the best is the Squier Classic Vibe 50’s Telecaster.

We’ve had so many come across the workbench for simple mods and setups, we’ve found it to be one of the best overall Squier guitar values you can get!

For more info on this model, check out our complete Squier Classic Vibe Telecaster review.

Squier Vintage Modified Jazzmaster

An older line that is slowly being replaced by the Classic Vibe Series, the Vintage Modified line of guitars was also a huge commercial success for Squier that featured higher quality remakes of classic Fender models.

Entering the market with new re-vamped finish options, upgraded “Fender-Designed” pickups, and vintage specifications their take on the Jazzmaster produced this beautiful model for only a few hundred dollars.

These and the Vintage Modified Telecasters are incredibly popular on the second hand market currently and represent fantastic “second” guitars for players looking for an upgrade or are great live guitars for budget minded performers.

At a lower price point than many of the new Classic Vibe guitars, these are one of the best values in the Squier family.

Squier Classic Vibe P & J Basses

Squier by Fender Classic Vibe 70’s Jazz Bass Guitar

With both classic Fender basses represented in the new Classic Vibe line for only a few hundred dollars, many bass fans should rejoice.

Squier has reinvigorated its bass lines in coming years removing many Affinity and Bullet basses and replacing them with an Affinity P/J bass you’ll see later and these higher quality, more expensive models.

The Precision (P) and Jazz (J) basses are arguably the two best bass guitars ever produced and have been widely used by most musical legends.

The P bass on top features the simple, one pickup design of Fender’s P bass which has been relied on for thumping, powerful bass lines throughout rock and funk’s history.

The J bass features two pickups and more onboard EQ options than it’s Strat-bodied predecessor and has more of an offset, Jazzmaster body shape.

For the extra money over the Affinity series bases, many of the upgrades are cosmetic or have to do with the quality and playability of the neck.

The J bass features beautiful black block inlays on the maple neck while the P bass, true to its simple form, has dot inlays along an Indian Laurel fingerboard both with smooth gloss finishes.

Squier Affinity Series P/J Bass

Featuring both P and J bass pickups in the body, this represents one of Squier’s flagship entry level bass guitars at the humble price of $229.99.

With three knobs giving more variable tonal options akin to the Jazz bass, you can get a number of great tones out it as you grow as a live player or songwriter.

In the familiar Strat-like body of the P bass, it has been noted by many for being incredibly comfortable to play.

This P/J bass also comes in the aforementioned packages with case, amplifier, cables, and tuner that makes it so readily accessible to students of all ages and budgets.

However, as with some of the Affinity guitars, you are likely limited in finish options to a basic white or black.

Popular Squier Guitar Signature Models

All popular guitar brands these days are constantly competing with one another to land more and more signature artists.

With each artist endorsement or signature model, the hope is that the band’s recognition will generate sales of the instruments they use as fans try to emulate their idol’s sound.

Often times, the most willing to buy signature models are beginners or students who are looking for their first guitar to learn their favorite songs on or are looking to upgrade from that Bullet series Strat to a more dependable instrument.

J Mascis Jazzmaster

According to J Mascis, he went to a local guitar store to buy a Strat, found out it was too expensive, and walked out with a Jazzmaster, which was a very lame guitar at the time.

Little did he know, his new Jazzmaster would go on to become a guitar icon in the world of alternative rock thanks to his work with the band Dinosaur Jr.

For $499.99 you’re certainly getting a lot of guitar, comparable to a low end Fender model, for less than the $500+ price tag of Mexican or American models.

With a stunning gold pickguard and all the essential Jazzmaster features in tact, the popularity of this model has been driven more by the quality of the guitar than by the name association or fame of J Mascis.

Jim Root Telecaster

Squier’s take on a true modern metal guitar saw them partner up with a true modern metal guitar hero in Jim Root of Stone Sour and Slipknot fame.

The humbuckers may look like active EMG pickups but are actually just matte black passive Squier humbuckers that have been noted for having impressive bite and output for the price range.

Root’s Tele, which can be found on Reverb at good prices, adds a unique option for metal players on a budget who want to look past traditional ESP, Jackson, or Dean metal instruments.

Available in Flat White and Matte Black finishes Squire likely hopes continued artist diversification will pay off in the ever changing guitar retail landscape.

J5 Telecaster

Checking back into the world of modern metal and hard rock, John 5’s love of Telecasters is well known and somewhat uncharacteristic for the music he makes.

Either way, Squier teamed up with him to make one of his signature hot rodded Tele’s available on Reverb at the affordable prices with some great features.

The J5 Telecaster is one of their newest signature models released and features Alnico 5-based humbuckers, a three way selector switch that features two volume knobs and no tone, which allows you to use the selector in as a kill-switch when soloing.

This guitar, like the other signature models listed, has a beautiful finish and detailed headstock that has really made Squier unique in that many of their cheap guitars don’t look like cheap guitars.

Squier Acoustic Guitars

Squier SA-150 Dreadnought Acoustic Guitar

Fender makes many of its cheaper, entry level acoustics overseas under their own brand name leaving only one Squier acoustic commercially available.

The SA-150 is a budget acoustic targeted to those needing a cheap, acoustic guitar with no frills at a budget price point.

For more information on the package deal, read our full review here.

Pros Use Squier Guitars Too

Platinum-selling band Catfish and the Bottlemen have become one of the new faces of alternative and indie rock mixing the pub-rock influence of Oasis with the more textural guitar work inspired by U2’s The Edge or The Killers’ Dave Keuning.

But little did you know that frontman, rhythm guitarist, and songwriter Van McCann wrote and recorded the entire first album with one of the aforementioned Squier Jim Root Telecasters as his main instrument.

Proving you don’t need expensive gear to write quality tunes, you can hear this affordable Squier tone all over popular singles such as “Kathleen”, “Homesick”, and “Cocoon”.

McCann commented on his use of Root’s signature model: “I don’t even know him. Doesn’t he have a mask on sometimes? I use that guitar because it’s matte black and it’s got a volume knob, and that’s it. It was like £150 and I’ve swapped the scratchplates over and I’ve smashed it up, but it just doesn’t break or go out of tune.”

The post Squier Guitars [Brand Profile] first appeared on GuitarNiche.

Have you ever experienced this before? You’re tightening up your fresh new acoustic string and notice the bridge pin keeps creeping up, or maybe it even pops right out!

Why is this happening?

For the most part, the root of the problem stems from the bottom of the pin itself. It’s squared off and acts like a catch for the string’s ball end.

While this is certainly a main cause for bridge pins popping out, the entire problem stems from a couple of reasons – often combined.

The other issue is typically caused by the heaviest strings. Their greater thickness often binds against the bridge pin hole making it difficult for them to seat at all. In such cases, the solution is to either widen the bridge pin slot or enlarge the bridge pin hole.

Why is this still happening when it seems to be a common problem?

As with any guitar problem, it takes time for solutions to become the accepted norm. For instance, it wasn’t that long ago that pickup systems for acoustics didn’t include an integrated tuner, now it’s commonplace. Of course this is still not the absolute rule, but looking further back in guitar history, there was a time when there were no such things as electronic tuners at all – get my meaning?

For the time being, many manufacturers are still using common bridge pins that are squared off on the bottom. You’ll see them on highly recognized brand-name instruments (maybe you own one?) and even custom designed high-end replacement pins.

In this video, I run through the more common, and easier methods of getting the bridge pins to cooperate.

Video: How to Stop Bridge Pins from Popping Out

Transcript:

Hey all, Steve from GuitarNiche here. I’m just about to restring this lovely Seagull Entourage acoustic – very nice very nice, few years old, and as a cursory nice thing to do for the person that owns it, I noticed that the ends of these bridge pins, all of which are right here are all squared off – they’re just mass-produced plastic bridge pins.

What I’m going to do is well for one, take one of our new strings and and pop it in there and give you an idea what might happen.

Rightaway you’ll see that it’s pulling up on on the pin. Two things going on there. I’m going to address one at a time.

The pin itself: what I’ll do is simply chamer the edge here at the slot. Now I have to do this off camera so I don’t make a mess on the guitar. I’m just taking my file, you can do this on a grinder or you can do it with sandpaper, whatever works. But I’ll show you what I did very quickly, all I did there was just knock off that square edge it’s super simple.

I’ve heard people complaining about the bridge pins coming up when they’re tightening strings and it’s very common. Especially when you don’t know what the forces are behind it. It’s totally normal to ask questions and try to figure it out. Well, here’s your answer to help alleviate the problem of bridge pins pulling up. But, as you’re tightening up the strings it’s still not 100% guaranteed.

if you want to help things along a little bit take the end of the string here where it’s wound, and I’ve seen this happen even with chamered pins where the ball still gets hung up. Just because everything’s still at right angles.

What I’m going to do is put a little bit of a (hope that’s on camera there) I’ll put a little bit of a kink in that, just roll the ball over a little bit. Then I’ll pop that in and put the pin in, pull up a little bit. Push it down with my thumb if I have to.

By the time I get that wound up (I’m just going to do this super quick) just to give a little bit of tension and explain that because of those two small tiny little adjustments it’s done.

Okay you see it’s still coming up, but I’ll just push that down easy peasy. But the important thing is that it’s not the whole thing being drawn up.

Sometimes they’ll pop right out and then they’ll land and Never Never Land and, you know, have fun finding it.

Anyway I will do that for each string in turn but there’s your little tip for the day so to speak, actually two for one.

Hope you enjoyed that and we’ll we’ll carry on, get the job done.

Make sure you like and subscribe, read the description below this video. There’s lots of great resources there – freebies there’s a couple of free books and more stuff coming all the time. so get on that

As always play loud and have a great day.

Cheers!

The post How To Stop Bridge Pins From Popping Out (Easy Fix!) first appeared on GuitarNiche.

Ever play a guitar with action that’s sky high or buzzes too much? It’s a fact, a guitar with poor action will stifle your playing and quickly rob you of enjoyment.

How do you fix it? And what tools and methods do you use to get it where it should be?

This guide explains how to make critical adjustments for most common types of guitars and the principles behind achieving great guitar action.

Editor’s Note:

This article explains, in a wholistic way, how to adjust the action on your guitar for maximum playability and enjoyment.

In order to keep the details as concise as possible, major points of adjustment are covered in broad terms first, then explained in detail further on.

What this means for you as the reader, is that you may find yourself moving from section to section in order to gain the information that fits your current situation.

I sincerely hope this guide makes sense for you and supplies the information you need to get the most out of your guitar’s action.

Steve B.

What is Guitar Action?

Guitar action refers to how the guitar feels when you play it. A guitar with good action should have the strings set at the optimal height for your instrument, match your playing style and allow you to express yourself freely.

From a physical standpoint, the word “action” also fits the context of how you manipulate the guitar. As you play, your fret hand is literally where most of the action is.

Adjusting the action on a guitar refers to changing the distance between the strings and the fretboard. Moreover, it can be a delicate process as it requires precise measurements and careful handling of the instrument.

Setting Guitar Action: An Overview

By now you should have a good idea of the target measurements you’re aiming for, the tools you need and how to make the adjustments to get you there.

To adjust the action on a guitar, there are three main points you need to focus on:

• The nut
• Neck relief
• The bridge

By raising or lowering each element, you can find the perfect balance of playability for both the instrument and the player.

Why Action Matters

If your guitar’s action is poor, it’s not only annoying, it’s distracting. In other words you’re not getting the most out of your playing time or enjoying the experience as much as you could.

In my experience, well over 90% of guitars suffer from high action. For new guitarists this can be a deal breaker – the struggle is very real. Plus they usually don’t know what good action is supposed to feel like.

Conversely, if the action is too low, the strings may buzz against the frets when played, resulting in poor sound quality.

If your guitar doesn’t play the way you’d like, what follows is the remedy to curing your poor action woes.

The Tools You’ll Need

The tools required to adjust virtually any guitar’s action are really quite modest and certainly won’t break the bank. A few of the most common tools you’ll need include:

• An appropriate truss rod adjuster for your specific guitar
• Screwdrivers and allen keys to make bridge saddle adjustments
• A fine measuring tool to determine string height
• Feeler gauges or similar reference tools
• And ideally, a set of radius gauges

Depending on your instrument you may need additional things like files or sandpaper for trimming things like acoustic saddles.

For a complete list of the essential tools for setting guitar action and further setup adjustments, check out our Guitar Setup Tools Guide.

How to Measure Guitar Action

Start With an Assessment

Assessing the current state of your guitar’s action is your starting point. Sometimes you can easily see with the naked eye that the strings are too high or low to begin with.

Look at where the body meets the neck, do the strings seem excessively high? Or are they too close to the frets?

Now sight down the edge of the neck from just behind the nut looking towards the bridge. Do the strings seem to rise too quickly? Or are they nearly touching the tops of the frets.

Strings that are too high will seem hard to play. Strings that are too close will tend to buzz or even fret out in the upper register when you bend them.

Make some mental notes about what you observe.

As for neck relief, the neck may also look like it has a bit too much “bow”. Too much relief will make the strings in the middle of the neck feel particularly spongey or little too hard to manipulate.

The neck may also look pretty straight or even have a bit of an up-bow or a slightly rounded (humped) curvature. If this is the case, once again you’ll find the strings a little buzzy.

Commit what you’re feeling to memory. It’ll come in handy as we work through the process of adjusting the truss rod and setting the action properly.

Typical Factory Specifications

Here’s a generalized chart of factory setup specs for common brand-name guitars.

Keep in mind these measurements are not absolute and subject to many different variations such as playing style, string gauge, condition of the instrument etc.

All string heights measured in inches at the 12th fret:

Measure String Height

Measure String Height at the Nut

String height at the nut is measured by assessing the air gap at the first fret. This can be done using feeler gauges, or by eye if you have enough experience.

To use feeler gauges, pick a gauge that seems appropriate and measure the air space between the top of the fret and the underside of the string.

Keep in mind that neck relief and bridge height will influence this measurement. Therefor it is essential these factors be within a reasonable range before you commit to cutting any string slots at the nut.

The following measurements can be used a general guide for most guitars to at least get you in the ballpark. You can then tweak them to your own personal preference. Keep in mind that once a string slot is cut, it’s cut.

All string heights measured in inches from the bottom of the string to the top of the 1st fret:

If you think the nut needs attention, here’s an in-depth tutorial on how to cut nut slots to the ideal depth every time:

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Measure String Height at the 12th Fret

Using your preferred fine measuring tool, here’s how to measure your string height:

1. Hold the guitar in the playing position.
2. Starting with the low E string, measure the distance from the bottom of the string to the top of the 12th fret. (Coins work really well as a quick reference).
3. Record the measurement.
4. Next, move to the high E string and repeat the same measurement technique.
5. Record the measurement.

Note: The 12th fret this is a common reference point as it’s the middle of the string between the nut and the bridge.

If you want more precision, use the 8th and 14th frets. This technique will also allow you to account for effects of relief.

Don’t worry about measuring all the strings in between, setting the outer strings will give us a guideline for the remaining strings.

Lastly, move to the end of the neck at the first fret. Does it take a bit too much pressure to push the strings down? Or do they buzz when you play them open?

In either case, it means we’ll have to make one or more adjustments to get the strings to ring out properly and feel right at the same time.

Measure Fretboard Radius

Radius gauges are an indispensable tool for coaxing the maximum playing potential out of a guitar. By matching the radius of the fretboard with the radius of the strings at the bridge, it’s possible to achieve superior guitar playability.

Chances are your fretboard radius is fairly common if your guitar is manufactured by a popular brand. Here’s a table listing some of the most typical radii used by larger manufacturers:

Common Fretboard Radius Measurements

Of course, if you’re unsure or have a more unique model, it’s a pretty quick process to find the factory specs for your particular instrument’s fretboard radius through the manufacturer’s website. Or you can refer to this excellent list of radius measurements organized by manufacturer here.

In practice, ALWAYS measure the fretboard radius of service instruments to verify you have correct information.

Radius gauges come in a variety of styles and price points. In general, they all do the same job and won’t break the bank.

Types of Guitar Radius Gauges

How to Measure Fretboard Radius

To measure neck’s fretboard radius, follow these steps:

1. Pick a notched radius gauge you think is the right one.
2. Make sure it matches the wider spans of fretboard close to or at the body joint (14th – 18th frets) without any gaps.
3. If it doesn’t match, move to the next size up or down and repeat step 2.

To measure string radius at the bridge, follow these steps:

1. Pick a solid curve radius gauge that matches the fretboard.
2. At roughly 1/2″ ahead of the saddle(s), rest the gauge against the strings with as little pressure as possible.
3. Check that all strings contact the gauge by gently picking each string in turn. Each string should buzz slightly if it is contacting the radius gauge.

If any strings do not touch the gauge you’ll have to adjust the saddle(s) to match. Because different instruments require different approaches to making these adjustments, I’ll cover them individually in the section on How to Adjust the Action on Different Types of Guitars.

Measure Neck Relief

There are a number of ways to measure or “read” neck relief. My preferred method involves measuring the gap under the 3rd string around the 7th to 9th frets.

If there isn’t a gap it means the neck is too straight or may have a back bow. We’ll address this later in the article in the section: “How to Adjust the Truss Rod“.

How to quickly and accurately measure neck relief:

1. While holding the guitar in a playing position, press the G string down at the 2nd fret with your fret hand, and at the same time, the 14th or 15th fret with your pick hand.
2. Now look at the G string at the mid-point of this span – around the 7th to 9th frets.
3. Look for a gap of light between the top of the frets and the underside of the string itself. The gap should be somewhere between .006″ and .018″ or .15 mm and .46 mm respectively depending on the instrument.

For quick reference, the gap should look about the same thickness as the diameter of the 1st or 2nd plain strings.

If the gap is more than described, or not there at all, we’ll have to adjust the truss rod.

These initial measurements will give you an excellent idea of where your guitar’s action currently sits. Depending on how you want the guitar to feel as you play, you can increase or decrease these readings to match your style.

Now that you have your reference points, you can begin the most important process of setting your guitar’s action: balancing string height with truss rod relief.

Know Your Truss Rod

Neck relief should be set so that it’s not too straight – which can cause excessive buzzing, or have too much air under the strings – which causes the neck to feel spongey and harder to play.

Depending on the manufacturer, there are basically four different types of truss rod adjusters:

How to Adjust the Truss Rod

Regardless of the type of truss rod adjuster or which end of the neck it’s located at, they all work the same way:

• Tightening the adjuster increases pressure which straightens the neck. This brings the frets and the strings closer together.

• Loosening the adjuster decreases pressure which adds relief. This adds air between the frets and the strings.

To set the relief that’s perfect for your how you like your action, make small incremental bridge height and truss rod adjustments until you’re satisfied with the results.

Make Preliminary Adjustments

Now that we’re armed with the basic knowledge of how to measure action, it’s time to make preliminary adjustments. This step gets us in the ballpark and helps us better determine what the final adjustments should be. It also helps us control problems that can pop up if we commit to a setting prematurely.

For example, if we cut the nut slots to an optimal depth then straighten the neck, the nut slots will be too low causing the strings to buzz. The only remedy then is to repair or replace the nut.

To use an analogy, let’s write a rough draft before we commit to the final copy.

Additionally, try to make preliminary adjustments using the old strings if at all possible – especially if the guitar hasn’t been adjusted for a while.

Why? Because new strings will quickly get trashed from repetitive tensioning during the adjustment process. Save the fresh strings for the last few steps to maintain their full integrity.

To begin setting the guitar’s action, follow this series of preliminary adjustments:

1. If possible, lower or raise the bridge or saddle(s) to get them in the ballpark. It’s ok to be conservative, we want to “creep” the individual adjustments gradually towards the ultimate goal.
2. Read the neck relief and make a quick adjustment if necessary.
3. Make sure the nut is cut properly. If it seems ok, leave it alone. If it has issues and needs to be re-cut, check out the quick tutorial on re-cutting a nut here. If it needs to be repaired, check out this article on nut repair.

Next, we’ll look at the fine adjustments we need to coax the most playability out of your guitar.

Action and Different Types of Guitars

Different types of guitars, electric and acoustic for example, have different types of action adjustments. Nonetheless, they all follow the same basic principle of getting the string height and neck relief to work together.

I must stress that, as we go from instrument to instrument, we’re going to assume the nut is in good shape.

Why? Because regardless of the type of guitar, the nut is a fixed point and shouldn’t need further adjustment once it’s set. For help on setting the nut height, refer to the links in the Preliminary Adjustments section.

Otherwise, the truss rod and bridge are the areas that really need the attention – the vast majority of your work will involve setting the bridge or saddle height and adjusting neck relief.

Author’s Note: Getting the greatest possible action out of a guitar relies heavily on all critical adjustment points being within acceptable limits. If you’re in doubt or think these adjustments are beyond your comfort level, take your guitar to a qualified tech.

Steve B.

Acoustic Guitars

Whether you like your action a little higher or as low as possible, great action on an acoustic guitar, like any other guitar, involves finding the perfect balance between the nut height, neck relief and saddle height.

Most acoustic guitars come with a one-piece saddle made of natural or man-made materials. The most common being bone, plastic or graphite.

As mentioned previously, you should have the neck relief at least in the ballpark to minimize re-adjustments.

In my experience, acoustic action is usually set too high – either from the factory or due to the stresses of aging. Achieving comfortable low action on an acoustic involves trimming an appropriate amount of material from the bottom of the saddle – not the top, to bring the string height down.

During the trimming process, it’s not uncommon to have to reinstall the saddle and strings a couple of times to check the action. This is where keeping the old strings on really comes in handy

How to Adjust the Action on an Acoustic Guitar

To adjust the action on your acoustic follow these steps:

1. Measure neck relief and adjust to within your own acceptable limits.
2. Make sure individual nut slot heights are set properly. Adjust if necessary.
3. Remove the strings.
4. Carefully remove the saddle.
5. Check that the saddle slot is clean and make sure there are no pre-existing shims.
   • If the strings are already too low and you do need to install a shim, use a piece of stiff material with a thickness of roughly .025″ (0.635 mm) cut to the appropriate length and width. An old credit card works perfectly for this.
   • Once you’ve installed the shim, skip to step 8.
   • If you are removing saddle material, continue to step 6.
6. Mark a straight line along the bottom edge of the saddle, roughly .025″ from the bottom is a good start. Note: a little goes a long way. In other words, removing a small amount of material can make a big difference in how the action feels. Plus it’s better to creep towards your target rather than overshooting it.
7. Remove the excess material from the bottom using a sander, file or sandpaper. Aim to “split the line” and at the same time, make sure the bottom of the saddle is perfectly flat.
8. Reinstall the saddle and strings.
9. Tune to pitch.
10. Check neck relief again. Adjust if necessary.
11. Check for playability. Pick a few single notes and strum a few chords up and down the neck in multiple places. The action should feel comfortable and the notes should ring true without the strings buzzing.
12. If necessary, repeat steps 3 through 11.
13. Install new strings and tune to pitch.
14. Check neck relief and playability. Adjust if necessary.
15. Fully stretch the new strings and re-tune to pitch.
16. Play and enjoy!

You’ll notice there’s a lot of reference to checking neck relief. Why? As you remove and reinstall the strings you’re also removing and reapplying pressure. This can cause neck relief to change as compression is redistributed.

You’ll also notice new strings have slightly less tension and are more elastic. This will cause the neck to relax a little. Therefor keeping a constant close eye on neck relief is an important part of the process.

Note: Sometimes the an acoustic’s saddle radius doesn’t match the fretboard radius. whether you decide to adjust it or not requires careful consideration.

On some guitars this mismatch is intentional, the saddle radius will read flatter compared to the fretboard. A common trait with Martin guitars, this is due to either the use of a compound radius (a gradual flattening of the radius along the neck) or extra height added to the bass side to allow room for thicker string vibration.

Conversely, you may find the saddle has an overly rounded radius. This is usually due to overly-standardized production that has neglected the finer points, preferring quantity over quality.

Lastly, all the steps regarding action described above are exactly the same for a twelve string acoustic – the only difference is in the number of strings you get to deal with!

Electric Guitars

For the most part, adjusting the action on an electric guitar follows the same procedures as previously mentioned – but with one significant exception: electric guitars are inherently designed to be more adjustable in order to fine tune string height, radius and intonation length.

Though the goal of adjusting the action at the bridge is the same, the type of bridge your electric guitar has will greatly affect the types of tools and processes you use.

For example, adjusting the bridge on a typical Fender-made product will be very different from adjusting the bridge on a Gibson Les Paul.

Additionally, make sure you keep a close eye on string tension. Making these adjustments will definitely affect string pressure and potentially cause misreads. To maintain accuracy, good practice is to continually check the condition of your strings and keep them as close as possible to normal tension.

That said, let’s have a look at how to adjust the action on some of the most common types of electric guitars:

Fender Style Electric Guitars

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How to the Adjust Action on a Stratocaster

Stratocaster guitar bridges come in two basic forms according to the type of bridge mounting screws: the classic six-point and the modern two-point systems.

Overall bridge height can be adjusted by means of the bridge mounting screws:

Though each type of tailpiece is originally designed to be floating, it can also be “hard-tailed” or set flat to the body.

If the bridge is set to be hard-tailed, the process of setting your action is fairly straight forward.

If the tailpiece (ie: the bridge) is set to be floating, adjusting the amount of rise off the body surface will affect the overall height of the strings.

Therefor, when adjusting the claw-plate springs in the back, be sure to re-check your string height – more spring tension brings the strings closer to the fretboard and vice versa.

Stratocaster bridge systems feature individual saddles that are fully adjustable in three aspects: height, radius and intonation length.

Each saddle has two forward-mounted grub screws that can be used to set the string height, and at the same time, match the radius. The screw at the rear of the bridge plate is used to set intonation length.

Typical US (Imperial spec.) models use a 1/16″ allen key for the grub screws, whereas import and many MIM units use a 1.5 mm allen key driver.

Steps to Adjust a Stratocaster Bridge:

First and foremost, we’re going to assume you have a fresh set of strings on, the nut and neck relief have been adjusted, and you are ready to go!

1. Adjust the bridge mounting screws:
   • Relax string pressure until the back of the bridge plate contacts the body surface.
   • If necessary, adjust all bridge mounting screws to make sure the bridge plate is reasonably flush with the body.
   • Starting with the outermost screws, adjust the bridge mounting screws until the back of the bridge plate just begins to rise off the body surface.
   • Back off each bridge mounting screw equally an additional 1/4 to 1/2 turn.
2. Tune the strings up to pitch.
   • If floating, adjust the claw plate spring pressure until the back edge of the bridge measures 1/8″ or 3.18 mm off the body surface at pitch. Note: This height can be adjusted to better match your playing preference.
   • If hard-tailing, continue to step 5.
3. Check neck relief. Adjust if necessary.
4. Adjust the 1st string saddle height to its lowest acceptable limit. Note: individual string heights are set by adjusting the two grub screws at the front of each saddle
5. Adjust the 6th string saddle height to its lowest acceptable limit.
6. Using the appropriate radius gauge, set the remaining string heights to match.
7. Stretch the strings out fully and retune to pitch.
8. Double check for ease of action and playability.
9. Enjoy!

Author’s note: When setting up a Strat to be floating, the bottoms of the saddle plates should ideally be level and in line with the trajectory of the strings when at rest.

How to Adjust the Action on a Telecaster

The beauty of a Telecaster lies in its simplicity. Originally designed to be a working musician’s guitar, the focus was on the balance of utility and performance.

For the most part, achieving great action on a Telecaster is the same as previously mentioned instruments. But once again, the main difference lies in how you deal with the bridge components – namely the saddles.

Adjusting a Telecaster bridge with modern individual saddles is essentially the same process as on a Stratocaster – but without the need to adjust any bridge mounting screws.

Here’s a quick video about setting action on a Vintage 52 Reissue Telecaster:

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Adjusting a vintage style Telecaster bridge with three barrels is slightly different in a couple of aspects. For one, you may need a fine slot screwdriver to adjust the grub screws.

Secondly, it’s important to understand that adjusting one side of the barrel influences the other side slightly. Therefor it’s important to constantly re-check the overall height and radius measurements you’re aiming for.

Steps to Adjust a Telecaster Bridge:

Let’s assume (again) you have a brand new set of strings on, the nut and neck relief have been checked and adjusted to your satisfaction, and you’re ready to go!

1. Tune the strings up to pitch.
2. Check neck relief. Adjust if necessary.
3. Adjust the 1st string saddle height to its lowest acceptable limit.
   • Note: Whether the saddles are individual to the string or the two-string barrel type, string height is set by adjusting the two grub screws at the front of each saddle.
4. Adjust the 6th string saddle height to its lowest acceptable limit.
5. Using the appropriate radius gauge, set the remaining string heights to match.
6. Stretch the strings out fully and retune to pitch.
7. Double check for ease of action and playability.
8. Enjoy!

Gibson Style Electric Guitars

Adjusting the action on Gibson style electric guitars once again follows the same basic process as any other: we want to start by making sure the nut height and neck relief are set according to your preferences using the methods described above.

Next, assuming you have a new set of string on to work with and the appropriate tools, let’s have a look at how to make action adjustments at the bridge.

Gibson tune-o-matic type bridge adjustment points:

Steps to Adjust a Gibson Style Bridge:

1. Make sure the strings are tuned to pitch.
2. Double check neck relief. Adjust if necessary.
3. Using the appropriate tool, adjust the treble side of the bridge to its lowest acceptable limit.
4. Check string tension making sure it’s at least close to being in tune.
5. Adjust the bass side of the bridge to its lowest acceptable limit.
6. Once again check string tension.
7. Double check string height and readjust the bridge if necessary.
8. Stretch the strings out fully and retune to pitch.
9. Double check the action throughout the neck is to your liking.
10. Play away!

You may have noticed I haven’t mentioned anything about using a radius gauge. This is for good reason.

The interesting thing about Gibson tune-o-matic type ABR and Nashville bridge design is in the fact that the bridge unit itself acts as a unified carriage – the individual saddles are not height adjustable themselves.

Because Gibson type saddles are not height adjustable, setting the radius may require cutting the saddle slots. This process is not to be taken lightly as there are significant consequences.

Why? Well for one, older bridges, particularly those found on older and vintage instruments, suffer from what’s called a “collapsed bridge” or “bridge sag”. This is a condition where the bridge loses its original radius over time due to continuous pressure from the strings.

And two, if you cut one saddle slot too low, you have to adjust the others to match. In other words, you must be precise in your measurements and careful in execution – once it’s cut, you can’t undo it.

In this respect, Fender type bridge design has a significant advantage in the ability to fine tune without alteration.

Either way, recutting the saddle slots is a destructive process requiring careful consideration, especially when dealing with an older bridge that’s already compromised.

Tools Required:

If you do decide to refine the radius by cutting the saddle slot depths, you can use the same tools for cutting nut slots.

Additionally, you should cut the saddle slots BEFORE you set string height. If you try to do it afterwards, you’ll have to re-set the bridge height all over again.

Should I Top Wrap or Not?

What does top wrapping a stop tailpiece have to do with action? Well, the answer lies in why it’s adjustable in the first place.

According to original Gibson advertising literature, there was an intentional benefit baked into the design to begin with: the, “Tailpiece can be moved up or down to adjust tension”.

To this day, there is a highly polarized debate as to whether the strings should be oriented one way or the other. One side claims, “If it’s good enough for (insert guitar hero name here), it’s good enough for me.” versus “If it was designed that way, then that’s the way it should be done.”.

It really comes down to a matter of preference. If you do happen to favor one or the other, which side are you on? By all means, feel free to leave a comment in the comments section below.

Guitars with Locking Systems

As a group, guitars with locking systems are purpose-built for fast action. When build quality and material components are good, these guitars perform like thoroughbreds being nearly effortless to play.

Due to the nature of the locking system, these guitars also fall into a category all their own. Along with other features, the locking system also affects the process of setting the guitar’s action.

Many players find the process of working on a locking system incredibly frustrating. For good reason: you’re dealing with a host of mechanical points that have to be locked or unlocked while at the same time work with loaded springs under tension.

In reality, the process of adjusting the action on a guitar with a locking system is really not that complicated. You just need the appropriate tools, and follow a logical method to get the guitar’s action where you want it to be.

The Most Common Issue – The Bridge is Too High or Low

One of the most common pain points associated with locking systems is the change in bridge height when you switch string gauges. The bridge will get “decked” – that is, pulled back into the body with lighter strings, or rise sky high when going to a heavier gauge.

To correct a locking bridge height that is too high or low, refer to steps 4 thru 7 below.

Common Locking Bridge Adjustment Points

Adjusting the bridge to level is done by adjusting the claw plate screws located in the spring cavity.

When the spring pressure is equalized with the string pressure, the bridge plate should be relatively flush with the plane of the body.

Similar to Gibson style and modern Fender Strats, locking system bridges use a two-point adjustment system to raise or lower the entire bridge unit.

Locking Nut Shims

Shims of different thicknesses can be used to adjust the height of the locking nut.

Locking Bridge Saddle Shims

Steps to Adjust the Action on a Guitar with a Locking System:

For the sake of popularity, we’re going to use a standard Floyd Rose type locking system for reference.

1. Make sure the bridge is in as level a position as possible. See step 4 below for instructions on how to do this.
2. With the strings at tension, carefully asses neck relief is within tolerance. Adjust if necessary.
3. Check string height at the nut.
   • How to adjust a locking nut if it needs to be raised or lowered:
     • Remove the pressure pad bolts, pads and any nut mounting screws. Note: string tension will keep the nut in place.
     • Place a suitable block such as a tongue depressor under the back of the locking bridge. This will stop it from collapsing into the body.
     • Starting with the first string tuner, carefully back off each string 2 or 3 turns to reduce overall string tension.
     • To further reduce spring load on the guitar, carefully remove 1 spring from the cavity in the back of the body.
       Spring load should now be reduced enough so that you can either add or remove shims from underneath the locking nut.
     • Insert one of the 3mm locking pad machine screws 2 or 3 turns into the center position on top of the nut. Using the screw as a handle, you should now be able to gently pull the nut up vertically to add or remove shim material underneath. If the nut seems to still have too much pressure on it, back off the tuners a bit more and / or remove another spring if necessary.
     • Add or remove shims underneath as required. Note: If, after removing all shims, the locking nut needs to go still lower, the nut seat will have to be re-milled. If this is the case, take it to a pro as this is a highly specialized process and beyond the scope of this guide.
     • Using a stepped approach, carefully bring the strings back up to tension and reinstall any tremolo springs previously removed.
   • Recheck that the nut is at an acceptable height. If necessary, readjust using the method previously described.
   • Recheck that the neck relief and bridge are also within acceptable limits. Readjust if necessary.
   • Reinstall the nut mounting screws. Note: It is not necessary to reinstall the pressure pads just yet.
4. With the strings at tension, check that the bridge plate is level with the plane of the body. Alternatively, the bridge plate can be lined up with the trajectory of the strings.
   • How to level the bridge:
     • If the back end of the bridge plate is too high, tighten both claw-plate screws equally 1/2 to 1 full turn each.
     • If the back end of the bridge plate is too low, loosen both claw-plate screws equally 1/2 to 1 full turn each.
     • Retune the strings to pitch.
     • Check that the bridge plate is level. If not, repeat the above steps according to the condition of the bridge until it is level.
   • Double check the strings are at pitch.
5. Adjust the treble side fulcrum stud up or down until the 1st string height is set to its lowest acceptable limit.
6. Adjust the bass side fulcrum stud up or down until the 6th string height is set to its lowest acceptable limit.
7. Recheck that the bridge is level and that the nut height and neck relief are still within acceptable limits. Make refining adjustments if necessary.
8. Using the appropriate radius gauge, check that the radius of the strings indeed matches the radius of the fretboard.
   Important Note: Whether the saddle radius matches the fretboard radius or not is highly dependant on the quality of manufacture. In my experience, locking system saddles rarely match the fretboard radius and require shims to get a perfect match.
   • How to adjust string radius on a locking system bridge:
     • Remove tension from the string you want to adjust.
     • Record the intonation point for future reference.
     • Loosen and remove the saddle lock down screw attached to the saddle you’re adjusting.
     • Carefully lift up the saddle to expose a gap under the front portion. Pulling the string up vertically usually works well for this.
     • Insert the appropriate size shim under the saddle. This can be anything between .005″ to .015″ or .127 mm to .381 mm depending on the amount of radius gap you need to compensate for.
     • Realign the saddle to its original intonation point.
     • Reinstall and tighten the saddle lock down screw.
     • Tune the string up to pitch.
     • Check that the string height now matches the radius. Readjust if necessary.
   • Check that all strings are at pitch.
9. Recheck that the nut height, neck relief and condition of the bridge are set to your liking.
10. Line up and level the fine tuner adjustment screws making sure there’s enough room for adjustment after lock down.
11. Double check that the saddle lock down screws are secure.
12. Reinstall the nut pressure pads and pad bolts, and lock them down.
13. Recheck that the guitar is tuned to pitch. Fine tune if necessary.
14. Play!

For most systems, the above method works very well. But variations between manufacturers will require adapting some principles to make things work for the particular unit.

Floyd Rose vs Kahler Systems

For example, adjusting the locking nut for a Kahler system works exactly the same as described above, but adjusting the bridge is a very different animal – more like that of a Strat but on steroids. Plus there’s no true locking mechanism for the strings.

Archtops, Jazz Guitars and Semi-Acoustics

Adjusting Action on Archtop, Jazz and Semi-Acoustic Guitars

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Setting the action on archtop, jazz and semi-acoustic instruments is very similar to that of acoustic guitars – with some interesting exceptions.

Many traditional archtop jazz guitars come fitted with a pre-intonated, height adjustable bridge system. The saddle component is a typically a single piece of hardwood or metal set atop of a base plate fitted with adjustable thumbwheels.

With these instruments, adjusting string height for better action is a simple matter of raising or lowering the saddle using the thumbwheels.

Interestingly enough, even a straight metal bar, as used in Gretsch’s 7576 Country Club, can be remarkably effective and musical when adjusting the action on a jazz-box.

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Putting a wedge in the door of the future, more “modernized” instruments make use of tune-o-matic type bridges and are thus, fairly straight forward.

Setting the action on these guitars is essentially the same as with Gibson type instruments.

Classical Guitars

Adjusting Action on a Classical Guitar

For the most part, adjusting the action on a classical guitar follows the same process as steel string acoustics, but with a few very important differences:

• Classical guitars traditionally have a flat fretboard, therefor there’s no need for measuring or adjusting a radius.
• Due to lower string pressure, many classical guitars are not equipped with a truss rod – no adjustment is necessary.
• Action on a classical guitar will be a little higher due to the higher elasticity and tendency of the strings to vibrate more aggressively. This means both the nut and the saddle must be set fractionally higher.
• If you have to remove the saddle to make adjustments more than once, it’s not very practical to un-weave the strings at the bridge. Instead, loosen the string tension and carefully insert a suitably sized wedge just ahead of the saddle. This should allow you enough lea-way to remove the saddle, make an adjustment and reinstall it.

Basses

Adjusting the Action on a Bass Guitar

Adjusting the action on a bass guitar typically follows the same process as electric guitars. Most of the “action” is set using the bridge components.

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Depending on the architecture, the adjustment points and methods are essentially the same, just on a larger scale (no pun intended). For example, larger strings means a little more string height is needed along with a touch more neck relief.

From a player’s point of view, one major consideration is in whether you use a pick, fingers or combination of both. These various techniques have a substantial influence on how the action is set which is heavily dictated by the player’s style.

Should Action Be High or Low?

Whether you like your guitar’s action high or low depends on a number of factors:

• The type of instrument you play
• Your technique or approach to playing
• Your tolerance for string buzz
• Your general taste in music
• Your level of experience – or even age

Considering the range of musical styles and instruments, these factors suggest an incredibly wide range of variations in how action should be set.

How to Set the Lowest Action on a Guitar

Before setting the lowest action your guitar will allow, make sure you have covered the preliminary adjustments and general action adjustments for your specific type of guitar listed above.

Next, you’re going to check the neck in multiple areas. Checking these multiple points magnifies your sense of how the guitar sits. It also lets you determine the limits of your guitar’s action and helps balance it with your playing style.

Here are the specific steps to measure for the lowest action your guitar will allow:

1. Hold the guitar in the playing position.
2. While looking at the Low E string around the 12th to 15th fret area, make a mental note of or take physical distance between the tops of the frets and the underside of the string.
3. On the same low E string, play a few notes up and down the neck in between the 10th and 17th frets. if there’s too much resistance, the strings are too high. If the string buzzes, the string height is already set too low, or one or more frets need attention (which is common where the neck meets the body).
4. Again on the same low E string, move to the third fret area and play a few notes up and down the neck to make sure it doesn’t buzz or feel too spongey. If it does, most likely the neck still needs a truss rod adjustment (or less likely, you may need some fret work).
5. Now move to the high E string. Again, make a mental note of (or measure) the string height above the frets around the 12th to 15th fret area.
6. In that same area, play a few single notes up and down the neck. There should be no buzzing and very little resistance under your fingers. Each note should ring true and clear.
7. Now do at least a full tone bend (more is better) on every fret from the 10th to 17th frets. If you find the string buzzing or fretting out, the action is already set too low or one or more frets need attention.
8. Lastly, using a similar method as the described for the low E, move to the 3rd to 5th fret area on the high E string. Play a few notes in that section and check for any buzzes, sizzles or excess “air” under the string. If there are issues, once again it suggests the truss rod needs adjustment, or a fret or two may need attention.

The best and lowest action you can achieve will be a direct result of following this process. Moreover, this same process can also be used for the vast majority of guitars.

Acoustic Versus Electric Guitar Relief Measurements

Measuring nominal action on an Ovation acoustic and super low action on a Telecaster

You’ll notice nothing is mentioned about the inner strings: 2nd, 3rd, 4th and 5th. This is because we’re using the outer strings to determine our lower limits. The remaining strings will fall in line as we make fine adjustments later on.

There are a few other subtle hot spots that will manifest depending on the strings and instrument, but the fret areas mentioned above are those that tend to be extremely consistent.

The reality is, whether you prefer your action high or low or are still trying to figure it out, the best guitar action sticks to a straight forward principle: it should feel right.

The Pros and Cons of High Action vs Low Action

Contrary to most opinions, high action is not necessarily bad. Higher action will allow an instrument to “speak” a little better; it produces more volume, but you have to work for it.

One of my local clients, Ian Crichton of the prog rock group Saga, likes his action a little higher. He wants to hear the notes ring loud and true with a good amount of “ping”. His comment about high action was, “You get used to it.”.

Conversely, a guitar with low action requires less energy to manipulate the strings.

For instance, many metal players prefer their action very low in order to accommodate lightning fast shredding techniques such as sweeps, arpeggios, pivots etc.

Compared to higher action, the trade-off is that the lower you go, the more you sacrifice the instrument’s acoustic value. Notes will become stifled and choked because the strings simply don’t have enough room to vibrate and reach their full potential.

For most of us, the sweet spot is somewhere in the middle.

Do New Guitars Have Good Action?

Depending on build quality, new guitars may or may not have good action out of the box.

The fact is the vast majority of production instruments are set to factory specs. Though they tend to be within playable limits, they often need to be further refined to fit the player better.

Well known brands such as Martin, Taylor, Gibson, Fender and a host of others set very high standards for their instruments. This minimizes the chances of you getting a new guitar with poor action and playability.

On the other hand, there are an endless number of off-brand instruments that cover every conceivable level of quality.

At one end of the spectrum you’ll find new guitars that are literally unplayable, all the way over to those that play very well with great action, and everything in between.

Generally speaking, the better the grade of the guitar, the better your chances of it playing reasonably well directly from the manufacturer – or at least with minimal adjustments.

Why Does Action Change?

Over long periods, wood moves in ways you can’t see. The effects of time, pressure and humidity change the very nature of the guitar, this is why guitar action changes.

The effects of weather can have a very negative affect on instruments, particularly in extreme environments. Wood, the most common guitar material, expands and contracts with relative humidity which in turn causes structural issues such as cracking and joint separations.

Changing string gauges also changes the amount of compression or pressure on the guitar – which directly affects how the guitar plays.

For instance, going to heavier strings will pull the neck up which raises the strings creating a higher action. The reverse can be true if you change to a lighter gauge as well: the neck relaxes and the strings start to buzz requiring an action adjustment.

What’s the Difference Between Guitar Action and Guitar Setup?

Guitar action is the term used to describe how well a guitar plays, how easy it is to manipulate.

A guitar setup is more of a wholistic approach to the entire instrument. In other words, a setup covers all operational elements of the guitar from the tuners to electronics and everything in between.

For more information on all the elements that go into setting up a guitar, check out this guide.

How Much Does it Cost to Lower the Action on a Guitar?

The price to lower the action on a guitar – no matter what kind of instrument, will depend on how much effort has to go into making it right for the player.

Some guitars, especially better high-end brand name instruments, are fairly easy to get to play with nice low action because they’re just built better with better materials.

Consequently, lowering the action on a cheap guitar will likely cost more because of the extra work involved to get it to be more playable.

That said, a decent guitar setup will cost you somewhere between $50-$100 (USD) depending on your region, the amount of work required and the experience of the person doing the work.

Other Factors That Influence Action

Sensitivity to String Buzz

Along with simply being out of adjustment, other factors that influence guitar action include your own sensitivity to string buzz.

For example, an electric guitar that buzzes when played acoustically may not sound the same when plugged in. In other words, the buzzing doesn’t manifest through the amp.

Whether you can tolerate it or not is up to you.

On the other hand, an acoustic guitar with bad string buzz is outright annoying. For most players, whether acoustic or electric, this is the tipping point for an instrument that needs an action adjustment or complete setup.

Common Problems that Limit Action

Time, age and general build quality have a huge impact on how well a guitar plays. Sometimes, due to these same issues, a guitar’s action can be severely limited.

Moreover, a guitar that has underlying material or structural issues will be aggravated by an overly aggressive playing technique. Does this mean you should lighten up and change your style? Not necessarily.

You can have the guitar looked at or try to adjust it yourself, but best results will definitely be hampered by poor build quality.

Otherwise, common factors that cause a guitar to have compromised action include:

• The condition of the frets
• Distortions in the neck
• Distortions at the body joint or poor neck angle
• Poor quality, maladjusted or no truss rod
• A lifting or cracked bridge on an acoustic guitar
• Seized parts that should otherwise be adjustable
• Mismatched factory parts

I would say the most common culprit would be the neck to body angle, followed closely by a neck condition that’s out of whack.

Luckily, electric guitars with bolt-on necks can have the neck-to-body angle corrected with a simple shim in the neck pocket. Some manufacturers, such as Fender and Peavey, even offer a micro-tilt feature to account for this – a small grub screw adjuster accessible at the base of the neck plate.

Why this feature is even necessary these days is beyond me. Considering the current state of precision manufacturing, surely a neck pocket can be milled to accommodate the compensation offered by an adjustable bridge – yes? (End of rant.)

On the other hand, acoustic and electric guitars with traditional set necks are another story. The only cure for these instruments with compromised neck-to-body angles is a costly neck reset.

Luckily, more forward-thinking manufacturers such as Taylor, Godin and others, design their guitars with this upcoming distortion in mind. They know pressure will eventually take its toll over time and allow for their necks to be relatively easily reset at a minimal cost.

The net effect? Better and more consistent action over the long term.

Mental and Physical Fatigue

Ever find yourself going in circles trying to chase perfection? Like when you’re trying to coax the most out of your guitar, and you wind up second guessing you work asking yourself, “Should it be this?.. or that?..”.

Not a good deal. Too many kicks at the can and you’ll lose sight of the goal.

Take a break, it’s good advice.

What to Do When Parts Don’t Match

Before I close out this section, I’d like to pass a long a curious, yet all too common situation that came across my workbench recently.

A regular client of mine had just purchased an electric guitar he wanted set up – a beautiful new Fender Vintera ’60s Jaguar in stunning Sonic Blue.

As much as he liked the guitar, he said it just didn’t feel right, even after a few well-practiced adjustments.

As soon as I picked it up I knew exactly what the problem was, I could feel it – a severe mismatch between the bridge radius and the fretboard radius.

As soon as I put it on the bench my suspicions were confirmed: the fretboard radius measured 9.5″ whereas the radius of the factory supplied bridge measured 16″!!…

There was no way the action on this guitar was going to be satisfactory by merely adjusting the bridge height. Either the inner strings would always buzz, or the outer strings would always be too high with respect to the middle strings.

Ultimately, the bridge saddles needed some serious tinkering to get things to line up and the action where it needed to be.

After cutting the saddle slots and making the other critical action adjustments, the guitar played ridiculously well.

More importantly, the owner was extremely happy.

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Not to bash Fender, but it would seem even the best of manufacturers have their blind spots. In this case, the negative effects of selecting over-generalized “off-the-shelf” parts is fairly evident.

Sadly, this is not the only time I’ve come across situations where mass production and end usage diverge – a beautiful Japanese-made Gretsch comes to mind.

I guess the point is, regardless of what a manufacturer says, check for yourself and don’t take anything for granted.

Common Items You Can Use for Measuring Action

There’s something to be said for keeping it simple. Not to downplay the importance of proper tools, but using materials at hand in a practical way does offer a certain convenience.

For instance, you probably have some spare change in your pocket or on the dresser, and every guitar player uses strings which come in specific gauges.

Both coins and strings can be used as tools for fine measurements. You just need to know their thicknesses.

Here are a couple of charts you can make use of for handy reference:

Coins: USD sorted by thickness

(Keep that spare change handy!)

	Half Dollar	.085″	2.15 mm
	Nickel	.077″	1.95 mm
	Quarter	.069″	1.75 mm
	Penny	.061″	1.55 mm
	Dime	.035″	1.35 mm

Guitar Strings: Common gauges and types in inches, sorted by thickness

(The next time you change your strings, keep the tag ends!)

Summary of Key points

Regardless of the type of guitar, most instruments will follow the same general procedure to maximize action:

1. Determine the current action of the guitar. This can be done by measuring the distance between the strings and the fretboard at the 12th fret.
2. Decide on the desired action. This will depend on personal preference, as well as the type of music being played and your playing style.
3. Adjust the truss rod to alter neck relief. The action through the middle of the neck will raise or lower depending on the amount of curvature.
4. Check and adjust the nut height. The depth of the string slots will raise or lower the action at the headstock.
5. Adjust the saddle for height and fretboard radius. Saddle height will raise or lower the action at the bridge.
6. Fine-tune the action by making small adjustments to the truss rod, saddle, and nut as needed.
7. Test the action by playing the guitar and observing any issues with comfort or sound quality.

Adjusting the action on a guitar can be a time-consuming process, but for any guitarist, it’s important for achieving the best playability and sound quality.

Personal Thoughts, Notes and Observations

Just as there are many different kinds of people and sensitivities, there are that many interpretations of what “good action” could and should be. The type of guitar you play, the style of music you try to push out, your approach to playing etc.

My point is, there is no one perfect type of action thats serves everyone and every guitar. It’s very much a matter of personal preference. This is why I continually used the phrase “acceptable limits” in the adjustment procedures.

Should Action Look Right, or Feel Right?

From my own experience, and doing considerable additional research for this article, I found an overabundance of reliance on the technical aspects of measuring action.

Don’t get me wrong, you gotta have and make use of good tools. But at the end of the day, the ultimate judge in how well a guitar plays is the feedback that comes through your fingers – either it feels right or it doesn’t.

You don’t play with your eyes, you play with your hands. Think about it, which “sense” makes more sense when it comes to playing? Sight – or touch?

When it comes to setting a guitar’s action, I’ve been fooled by tools. Then I set them aside and let my hands, that tactile sense, tell me what’s really going on.

Feel never fails.

Want to continue to improve your skills?

The purpose of Guitar Niche is to help people exactly like you. Those who share a passion for guitars and want to know how to keep them working perfectly.

Without you, the whole endeavour is pointless.

Come back and check out the site regularly, we’re always adding new articles and how-to’s.

Whether you just want to maintain your gear, or be the best guitar tech in your area, or the world! Guitar Niche will be here to help you along the way.

Thanks For Reading!

The post Guitar Action: The Ultimate Guide! first appeared on GuitarNiche.

For many guitar players it’s an itch that needs scratching as we try to express ourselves musically and expand our understanding of the guitar as a whole.

While sixty minutes might not seem like much, it IS possible to learn how to play solos in a relatively short amount of time, maybe even less.

We hope you find this article helpful and unbiased. By using links on this page we may receive compensation at no extra cost. If you do, thank you so much!

How Do I Start to Solo?

Learning how to solo starts with a good set of tools and, as mentioned, good guidance. At the very least you should at have an artist and solo in mind to use as a target.

Having said that, the real difference in being being able to start soloing quickly is not so much the amount of talent you may have (or not), but the quality of instruction and your willingness to make something happen.

Thanks to the convenience of video instruction, a highly focused guitar tutorial on soloing such as Guitareo’s program of free videos, makes the process about as easy as baking a cake, and in about the same amount of time.

What Tools Will I Need?

The short answer is patterns, and a guitar of course. On a guitar, patterns can be as simple as a chord form or a series of single notes, ie; a scale.

For most of us, starting to solo means learning scales. Now, before you start imagining endless hours of tedious repetition taught by a dusty professor scratching out notation on a worn chalkboard, it’s really not that bad.

Scales are your friends. The more you know, the more friends you have.

Is there one scale that rules them all? Technically, yes, and that would be the C major scale – the big kahuna.

But if you’re starting to solo, let’s make it easy and practical – pentatonic is the way to go.

Why?

Pentatonic patterns are simple. Being based on only 5 tones, the “penta”tonic or 5 note scale is an economical structure that can easily be applied across the neck. Plus, chances are your favorite players also make good use of it too – especially in rock and blues styles.

What Makes a Good Solo?

Ah yes, the eternal question. The answer lies in your own personal tastes which are subjective. You probably have guitar heroes you admire, and certain solos you find extremely entertaining.

A good guitar solo is one that contains emotion, uses dynamics and fits the song.

Does this mean it has to be technically brilliant or complex? Absolutely not.

For example, check out Neil Young’s impassioned and understated approach to soloing in this video at 1:54

As they say, sometimes less is more.

From a player’s point of view it should at least be fun to play. And from a listener’s point of view it should be fun to hear.

Regardless of the artist or style of music, great solos tend to stand the test of time. They’re a blend of the player’s personality and their given choice of phrases, which are often a collection of bits and pieces from their own guitar heroes.

If you want to create good solos, learn from the best. Grab your inspiration from the guitar players you admire.

How Do I Get Better at Soloing?

Getting better at soloing involves practice – no two ways about it. Having a good practice routine combined with a positive mindset will always produce results.

To accelerate your progress, here are a few points to keep in mind:

• Be realistic – While it’s a good idea to stretch your boundaries, you should also be practical about the level of difficulty you’re taking on.
• Divide and conquer – Break down the harder passages into bite-size chunks you can digest more easily. Work on each one in turn then patch them together
• Walk, don’t run – Use a metronome to gradually build up speed for faster parts.
• Understand theory – In all honesty, getting a grip on theory will unlock EVERYTHING musical – not just the guitar.
• Think outside the musical box – If you want to develop a more unique solo voice, look beyond the guitar. Other instruments can be excellent sources for inspiration such as vocal lines, saxophone or even piano.

As a word of caution, it doesn’t take long to find extraordinary players that can tear up a fretboard. Did they learn to solo overnight? Probably not. Everybody eats the elephant one bite at a time.

Personal Notes on Soloing

For many players, the idea of soloing is about as complex as earning a PHD in music and growing a sixth finger. But it doesn’t have to be that way.

Yes, copying or “lifting” a solo from another player can be tricky, but it’s well worth the effort. And once you get a taste for soloing it’s almost impossible to get away from it.

Personally, once I started playing solos, I never looked back – total thrill time. Not that playing chords or riffs wasn’t fun, it’s just that I found soloing was MORE fun.

Like most others, I began borrowing licks and tricks from the greats, then mixed the musical ingredients together to develop my own personal style.

Interestingly enough when I started teaching soloing, I noticed an unsettling phenomenon starting to pop up: my students were beginning to sound like me! This threw me for a huge loop and I quickly took my personal licks off the teaching table. Not to protect my ego, but to make sure my student’s own style developed organically from their own inspirations – not polluted by my personal preferences.

In closing, yes, you can learn to solo in a short amount of time. The best way is to find an excellent source of instruction and pick a reasonable goal. From there, making sensible solo sounds on the guitar is just a matter of putting in the time and effort.

The post Can You Learn To Solo In An Hour – From Scratch? first appeared on GuitarNiche.

Are the days of boring old guitar lessons going the way of the dinosaurs? If GuitarQuest is any indication, the future of guitar instruction is indeed epic!

Note: For the purposes of this article, I was granted full access to Guitareo features. As some links are affiliated, I may earn a small commission at no extra cost to you.

GuitarQuest Summary

Editor’s Rating

(4.5 / 5)

Designed to give beginners a rocket-fueled start to playing, GuitarQuest is available as its own standalone course for a one-time fee of $197, or as a Training Pack that comes bundled with a Guitareo subscription.

GuitarQuest Course and Membership Offers

As a standalone course

$197 one time

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Included with a subscription

$127 per year

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Guitar Quest Takes a Different Approach

Probably the most concise description of what Guitar Quest is and attempts to accomplish comes from within the Guitareo program itself:

Guitar Quest takes you on an adventure as you play shows, shoot music videos, make commercial jingles, and most importantly have a lot of fun making a lot of music. It just so happens you’ll learn all of the basics of the guitar along the way.

Guitareo

If the course description sounds unique – that’s because it is.

Yes, it’s another guitar course aimed at beginners, but I’ve never come across another guitar program that combines entertainment, fun, creativity, theatrics and musicality all in the same package.

Based on the concept of dividing core guitar skills into nine advancing levels, Guitar Quest leads you through a virtual theme park of “Missions”.

Each mission (chapter) in the adventure is broken down into individual lesson videos that leverage Rob Scallon’s insightful, and thorough, approach to teaching.

At face value you may get the impression the course is primarily electric but acoustic guitar is indeed thoroughly injected by the time you reach mission 4: “Campfire Chords”.

From a traditional point of view, Guitar Quest seems to intentionally avoid all conventional elements of teaching guitar. Yet in retrospect, it works!

Having reviewed all sections of the program, I found it still packed a punch when it came to covering the basics of playing and beyond – with a twist. Most of all, it was entertaining and fun.

Who is Rob Scallon?

You may be familiar with Rob Scallon, the madman behind the concept, through his YouTube channel.

As a producer and multi-instrumentalist based out of Chicago, he’s best known for his unique approach to making music with, well, just about anything with strings on it.

With over 400 uploaded videos, many with millions of viral views, Rob’s approach in general could be described as “wacky”. A blend of pop, metal and mayhem sprinkled over just about any cultural inspiration you can think of.

With that kind of background, it’s no wonder Guitar Quest was born this way…

How Much is Guitar Quest?

Guitar Quest is available as its own stand-alone course for a one-time fee of $197, or as a Training Pack that comes bundled with a Guitareo lifetime membership.

While doing research for this article, some forum members mentioned they had started with the Guitar Quest course, then transitioned into a Guitareo membership.

Considering the array of bundled programs, a Guitareo lifetime membership makes a whole lotta sense when you do the math. It’s just a matter of keeping your eyes open and grabbing the offer when it comes around.

What’s the Difference Between Guitareo and GuitarQuest?

First off, it’s important to understand that there is a very clear hierarchy to the entities that govern the courses.

The topmost company is Musora Media Inc which controls a number of music instructional platforms, one of which is Guitareo, and under the Guitareo umbrella we have GuitarQuest.

While Guitareo’s Method course is a well-conceived traditional approach to learning guitar quickly and efficiently, GuitarQuest focuses on the fun side of making music from the get go.

Instead of trudging through an academic, black and white guitar course, you’re plunged into colorful scenarios that illustrate how you can creatively apply your new guitar skills as you’re actively learning.

With its unique spin, GuitarQuest still manages to cover the basics in a very entertaining and practical way.

For a better idea of what Guitareo is all about, you may be interested in reading the complete review here.

How Does GuitarQuest Compare to Other Programs?

That’s a tough question. GuitarQuest is kind of in a league all its own. It’s like asking how does Rick Nielsen’s Uncle Dick double neck Hamer compare to a “normal’ guitar?

But seriously, there are other personality driven courses out there, like JustinGuitar for example, but nothing quite like this. What GuitarQuest lacks in breadth and scope, it makes up for in creative concept and execution.

Inside the GuitarQuest Program

The GuitarQuest course is broken down into nine color-coded chapters or missions:

1. Song in an Hour
2. The Jam Session
3. Music Video Shoot
4. Campfire Chords
5. Selling Out
6. The Punk Show
7. The Recording Studio
8. Play Anything
9. The Final Boss

Clicking on a thumbnail opens another full page containing further subsections for that mission. Each relatively short explainer video then walks you through the topic covering it in logical bite-size pieces.

Example: Chapter 1 – Play a Show

This section, as expected covers the basics.

The aim is to get enough info into your head and under your fingers to be reasonably familiar with the guitar.

The ultimate goal is to be able to pull off a performance; a “SONG IN AN HOUR” – from scratch.

Thanks to Rob’s approach yes, it is possible.

Further Chapters and Observations

As the course progresses, students are introduced to more and more branches of the musical tree.

Where most of us would expect to start with the roots and focus on strictly guitar related elements, GuitarQuest manages to weave in more complex topics very early on.

For instance, song structure is covered in Chapter 3, chord changes and transitions in Chapter 4, palm muting and vibrato in Chapter 5 and so on.

The course even covers where to find guitar tabs, a little theory and practical exercises. Finally culminating in Chapter 9 “The Boss”, a pseudo-Misirlou mashup that puts it all together.

Along the way, Rob is able to take elementary guitar principles and turn them into very musical constructs in their own right.

My Personal Thoughts on GuitarQuest

After reviewing a majority of popular guitar courses currently available, I don’t think I’ve ever seen anything quite like GuitarQuest.

For a new student, the entertainment factor is very high. Rob Scallon is very personable with a great sense of humour and teaching style that’s concise and entertaining.

The complete series is quirky, tongue-in-cheek (at times cheesy), yet extraordinarily educational. Moreover, it’s a qualified study on teaching guitar outside the box.

But beyond the exceptional concept, presentation and execution of the course there are a few caveats to consider:

1. GuitarQuest relies heavily on one person’s ability to carry the show.
2. If you don’t gel with Rob’s personality, you may have a hard time getting the value you expect.
3. Some students may find the leap to creativity a little beyond their means.

Negative points aside, I feel the pros outweigh the cons – by a long shot.

In terms of sheer creative output, GuitarQuest is a testament on how you can use modern ingredients and mix them together to cook up an entirely new recipe for learning guitar.

The result? No more boring lessons!

Editor’s Rating 4.5/5

The post GuitarQuest Review: No More Boring Lessons first appeared on GuitarNiche.

Who provides the best online guitar lessons? Lucky for you we’ve done the hard research to help you choose the best service that fits your needs perfectly.

Our Top 3 Picks:

Best Choice

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Most Diverse

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Premium Pick

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Who Offers the Best Online Lessons for Acoustic or Electric Guitar?

There are more guitar lesson providers than ever before, making the instrument hyper-accessible for students in the 21st century.

If you’re one of the thousands looking to learn guitar online, you may be wondering which website or subscription is the one for you. Which one is the best choice?

To help you make a good decision, we’ve compared all the major players side by side with thorough reviews to help you find which one is truly the best online guitar lesson site.

Note: This is a long article. For the TL;DR version, you might want to skip to the Final Summaries section, then navigate to any of the full reviews you may be interested in.

The most important questions;

• • How easy is the website to access/navigate?
  • How affordable are the lessons?
  • Are the lessons and instructors engaging?
  • And how diverse are the song or lesson video options in genre, style, or difficulty?

By pitting the top, most popular and well known sites against each other, we’ll analyze how well they stand up to these questions giving you a solid start on which lesson site is best for you.

Each site has been thoroughly reviewed by our Guitar Niche staff slowly working through beginner, song, and advanced technique lessons, as well as trying out some of the extra features like tuners, chord finders, ear training, and more.

We certainly hope you find this article helpful, informative and unbiased. Just so you know, we may receive compensation if you use the links on this page. If you do, thank you so much!

Top Guitar Lesson Websites Compared:

Service	Cost	Rating	Offer?
1. GuitarTricks	$19.99 per Month	(4.1 )	14 Day Free Trial
2. TrueFire	$29.00 per Month	(4.3)	30 Day Free Trial
3. ArtistWorks	$35.00 per Month	(4.1)	Free Samples
4. Justin Guitar	$0.00 per Month	(4.2)	Trial – N/A
5. Fender Play	$9.99 per Month	(4.0)	50% Discount on Annual Plan
6. JamPlay	$19.99 per Month	(3.9)	Free Trial
7. Guitareo	$10.58 per Month (billed annually)	(4.3)	30 Day Free Trial

Top Online Guitar Lesson Sites Reviewed

1. Guitar Tricks

Guitar Tricks is one of the most complete, and user friendly lesson sites on the market featuring a wide range of tools, lessons, and add-ons.

Boasting over 11,000 video lessons per their website, there is surely something for everyone on Guitar Tricks.

Before we dig in and walk through, some of the highlights include the vast number of lessons previously mentioned as well as the large volume of song lessons the site features.

EDITOR’S RATING:

(4.1 / 5)

Overview

At the most basic levels of review, Guitar Tricks checks a lot of boxes you should be looking for. It has an easy to navigate website and homepage in addition to one of the largest selections of diverse technique, genre, and song lessons databases online.

The linear and easy to follow “core lesson plan” starts all players off with a series of video levels split into multiple chapters.

Each level is taught by the same instructor throughout and lets you branch off into specific genres as you move up in skill.

While there are no famous, “rock star” instructors like some of the other sites boast, the instructors are nonetheless engaging and informative.

Product Services/Highlights

One of the best features of Guitar Tricks has to be how user friendly the website is while still retaining the highest quality video lessons.

The site doesn’t overcomplicate itself, and clearly labels where beginners should start while displaying the paths they will soon follow on their learning journey.

GuitarTricks’ video lessons are engaging, high definition videos featuring pop-up tablature and musical notation along with multiple screens displaying the strumming and fretting hands of the instructor.

Lessons can also be sped up or slowed down to help you follow along with the video at your own pace while the more advanced song lessons feature a more interactive set up with built in guitar tuner and recommendations for gear.

The ease of use and quality of lessons is really where the value of Guitar Tricks is fully on display.

In addition to the diverse lesson toolbox, the site has great add-ons such as a diverse list of song lessons available, a jam station for improvisation practice, and forums for chatting with other students.

The Good / What We Like

While many of these sites bombard you with too many features and tools to remember, Guitar Tricks focuses on offering easy guitar lessons for beginners are easy to access and keep up with.

This emphasis on making it easy to learn guitar is a more important but less glamorous selling point.

Guitar Tricks also has one of the largest and most diverse collections of song lessons, an important feature that keeps students engaged as they move past the beginner stage and begin to lose interest or the need for formal lessons.

Furthermore, these advanced song and technique lessons come with expanded tools like chord finders, scale finders, and jam stations that really increase the practice capabilities of students.

The Bad / What We Don’t Like

While it isn’t necessarily a negative, all these top notch features that make it one of the best guitar lesson sites come at a cost of $19.99 per month, in the mid to high range of the subscription options reviewed here.

For this price, some students may expect perfection, and the lack of some features like an “ask the teacher” button on video lessons or section for taking notes that other sites has been replaced by other add-ons like lyrics or external links.

However, this is generally nit picking and we feel the subscription cost is fair for the volume of lessons available to the student.

GuitarTricks Summary

View Guitar Tricks’ Free Trial Here >>

2. TrueFire

TrueFire is a bit unique when compared to other guitar lesson sites in the sense that it comes jam packed with great features, but also has many different subscription options.

Free to sign up for, you can pay for all-inclusive access, or buy and download individual lessons or lesson plans.

With over 600+ collaborating instructors, over 900 courses, multiple thousands of videos, and great reviews from students and critics alike, TrueFire is one of the most dense, complete lesson sites you can learn from.

EDITOR’S RATING:

(4.3 / 5)

Overview

With an easy to follow website and linear lesson plans, anyone should be able to navigate their way around and search through the site’s many, engaging lessons with ease.

For those looking to learn from the pros, you’ll be happy to know TrueFire also boasts several famous instructors such as Steve Vai, JD Simo, Robben Ford, Alex Skolnick, Jennifer Batten, and a host of other recognized personalities.

In addition to straight ahead lesson plans based on the genre or style you wish to learn, there is also a Channel section to help build community involvement.

For beginners, there is a Learning Paths section designed to take the edge off of having to read music and make the getting started process as easy as possible.

Basic subscription packages start at $29 per month for complete access to the site, players who sign up for free have access to a decent selection of free lessons or can pay per downloaded video lesson.

Product Services/Highlights

When compared to cheaper or free alternatives, you’re certainly getting access to a huge volume of lessons for the price.

And we were impressed with the number of free lessons available, over 6000+ according to the site at the time of writing.

But there were not many free online guitar lessons for beginners, so these are probably better suited for more advanced players.

One of the best services that comes with this site has to be the “In the Jam” function that lets you practice improvising over pre-recorded full band or guitar arrangements for different styles, scales, and genres.

TrueFire also have a somewhat limited number of song options to learn, but the selection is very diverse in artists and genres.

Furthermore, they have a request a song function that allows students to ask for lessons for their favorite songs, which could really help grow that list in the months to come.

The Good / What We Like

We really love the “In the Jam” function and think that the volume of options it has is a great tool for students.

Improvising and creating your own music can be one of the hardest things to practice or learn, especially if you’re a solo guitarist alone in your home.

The addition of famous instructors is always a cool way to learn techniques or playing styles from the people using them every single night on tour as well.

For more advanced students, access to a large number of free lessons makes this a very appealing option for those looking to continue their education, not begin it.

Another cool feature is their interactive video jam sessions with some of their top artists and instructors called “Trading Solos” which lets students learn directly from the source in an engaging manner.

The Bad / What We Don’t Like

As with some of the other sites, the $29 per month can be a financial roadblock for many students, especially younger, less independent ones.

From a value standpoint, while the site has thousands of video lessons, the limited song selection, and presence of free access to the “In the Jam” function, may not make it worth paying for.

Likely, this would be a great supplementary site to others or live, in person lessons.

TrueFire Summary

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3. ArtistWorks

ArtistWorks is another site that strays a bit away from the basic template of the others reviewed here.

ArtistWorks features lesson plans built around what style of guitar playing you wish to learn such as Electric Rock Guitar or Acoustic Classical guitar, with each being taught by one dedicated instructor who leads you through the whole series.

ArtistWorks is also home to video lessons for almost every instrument you can imagine, outside of the guitar, making it the most musically diverse site discussed.

EDITOR’S RATING:

(4.1 / 5)

Overview

ArtistWorks’ flagship lesson series may be the Electric Rock Guitar lessons taught by modern day icon Paul Gilbert, which are some of the best online rock guitar lessons.

Each series features its own unique teacher that guides you through lessons ranging from 2 to 15 minutes, keeping students engaged through various techniques, riffs, and songs.

Unlike all the other sites here, ArtistWorks doesn’t seem to have a dedicated page or database for song lessons.

Meaning you can’t just scroll through a list of options looking for your favorite Beatles or ACDC song.

What it may lack in songs or extra tools it makes up for diversity with woodwind, piano, mandolin, and many other instrument learning videos that can expand your musical skills.

Furthermore, the video exchange feature helps students connect, learn from each other, and stay engaged throughout their playing life.

Product Services/Highlights

The services here are a bit more straightforward than other lesson sites, you simply pick what style of music and instrument you want to play, and then you follow along from there.

There is also a menu that shows you all the instructors the site boasts, where you can choose which path or style to follow based on their description.

The biggest highlight has to be the Video Exchange Learning feature, which lets you post a live video of yourself playing and receive feedback from other students and a tailored video response from an instructor.

This helps make your online guitar learning experience much more personal than you may otherwise experience on rival websites.

This is site is really tailored towards beginners, and honestly doesn’t have many features meant to engage more advanced students such as a song database, gear demos, or musicianship training.

New From ArtistWorks

More recently, ArtistWorks has added a new Beginner Acoustic Guitar Course hosted by David Butler who is also the Chairman and Cofounder of ArtistWorks.

With a focus on comprehensive, step by step instruction, this fresh online guitar course is designed to help first time players avoid getting frustrated.

The Good / What We Like

The Video Learning Exchange feature is really something special, especially because you get that detailed video response from an instructor helping to critique your playing.

Having that personal interaction can really help keep some students engaged and motivated to improve, practice, or complete their whole lesson series.

Overall, the video lessons are great and the ones we had access to showed off the instructor’s enthusiasm for the material as well as an active community of students responding to the videos.

They most certainly are good guitar lessons for beginners, but lack upper levels of advancement.

The Bad / What We Don’t Like

ArtistWorks is overall the most expensive out of all the sites, with a yearly package coming in at $35 a month (3 month term), to as low as $23.25 a month for a twelve month term.

Personally, we think you may not get enough value for that price, especially without advanced musicianship training such as ear interval or songwriting lessons.

Although, their recent expansion of courses, especially their full Beginner Acoustic Guitar Lessons course from Chairman and Cofounder David Butler to their platform, have added exceptional value to their platform.

But with no song database, student’s may be inclined to go to YouTube or tablature websites to learn their favorite songs.

This may ultimately pull them away from the site as they advance and grow towards other guitar coaching online.

ArtistWorks in Review

View ArtistWorks’ Master Players >>

4. Justin Guitar

Justin Guitar is the brainchild of popular YouTube teacher Justin Sandercoe and features an interactive and modern website.

The site features all the same videos as his YouTube channel, in a more organized, user friendly package.

Justin Guitar is further unique in that he is the sole instructor and produces hundreds of videos, lessons, and content himself without the help of other instructors, famous or otherwise.

EDITOR’S RATING:

(4.2 / 5)

Overview

Justin Guitar is shockingly on par with all the other sites despite being a largely solo effort and has many of the same features you find elsewhere.

Song lessons, beginner lesson plans, and advanced techniques can all be found on Justin Guitar along with some interesting extras like podcasts and advanced theory lessons.

With engaging lessons for a variety of styles and genres, Justin Guitar has something for everyone and costs exactly zero dollars for full access. If you want to know how to learn guitar easily, this site may be the ticket.

Product Services/Highlights

For that incredibly tempting cost of $0, what do you get with Justin Guitar? The answer is a lot more than you might expect at that price point.

At the time of writing, the site boasts 940 lessons, 554 songs, musicianship lessons, and interval ear training.

Lessons and songs are color coded to indicate difficulty, and a helpful “beginners start here” path and welcome video make it easy for new students to navigate the web page and lesson plans.

At first glance, the song selection is also incredibly diverse with everything from Tracy Chapman to Ritchie Valens.

Justin’s musicianship lessons struck us as very impressive simply because they are featured or advertised so prominently on the site.

The drop down menu goes on to list really advanced lessons on production, songwriting, ear training, and transcribing, features that will surely keep students engaged long past their beginner days.

The Good / What We Like

Generally speaking, Justin Guitar has just about every major option, lesson, or section of all the other sites, but for free.

That’s a huge plus that could potentially make up for any of the limitations in lesson quantity or available tools that could be hampered by the site being a one man operation.

The familiarity of having the same teacher for all lessons is valuable as students who enjoy Justin’s style and lessons will be engaged time and time again while feeling comfortable with their learning.

Furthermore, the web site is beautiful built and offers super accessible guitar lessons for beginners by experts with clearly labeled options.

The Bad / What We Don’t Like

Justin Guitar does lack some of the features that are standard on other sites such as pop up tablature that follows along or is displayed next to the video.

Other in-lesson tools such as a tuner or notepad are also missing when compared to the diverse user interface of JamPlay or Guitar Tricks.

Otherwise, there is a lot to like and a ton of excess value thanks to the free membership.

Justin Guitar Summary

View Justin Guitar for Free Here >>

5. Fender Play

One of the newest additions to this best online guitar lessons review, Fender Play was launched by the legendary guitar company just within the past few years.

Fender Play has become an important part of Fender’s attempt to preserve their legacy of excellence in all things guitar while attracting new players from an ever changing student pool.

Using a wide variety of instructors in age, gender, and race, Fender hopes to appeal to the ever diversifying musical scene with a modern update on traditional guitar lessons.

EDITOR’S RATING:

(4 / 5)

Overview

Despite a much shorter history than competitors, Fender Play is another strong contender featuring an affordable monthly subscription cost of $9.99 per month.

Furthermore, the website has a wonderful, easy to navigate design that is integrated into Fender’s main website.

Boasting a number of instructors, interviews, and gear demos, Fender Play has something for everyone even if it lacks some of the famous instructors of other sites.

Fender Play lessons are engaging and are super accessible as every Squier and Fender guitar or bass sold comes with a free, 6 month subscription to the service.

Product Services/Highlights

The Fender Play lesson plan is designed around a linear progression called “My Path”, which makes it super easy for students to begin learning, get hooked, and make steady progress.

Each student chooses their path based on the genre they wish to learn and options include rock, blues, folk, country, and pop for electric guitar as well as other options for acoustic, bass, and ukulele.

Fender Play also features a diverse list of song lessons, many that they incorporate directly into your path, as well as gear demos, articles, guitar tuners, and support for their IOS app to help you learn guitar online fast.

All of this comes included free with your monthly subscription giving you plenty of value compared to many of the $20 per month options.

The Good / What We Like

Fender’s “My Path” lesson plan is one of the most easy to use and streamlined lesson plans on the market, and is paired with an exceptional user interface that is so easy to use.

Videos have great tools comparable to other sites like playback speed options and pop-up tablature along with the song or style lessons.

They also boast over 500 song lesson options which are all very diverse in style, difficulty, and range from classics to modern hits.

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Lastly, one of our favorite things is how they incorporate songs and riffs into the “My Path” lesson plans early on.

This puts an emphasis on how making music can be a part of learning the guitar, which is important for engaging students and motivating them to practice.

The Bad / What We Don’t Like

There isn’t much to complain about here, but while the $9.99 per month is on the cheap side, it can still create an extra monetary barrier to learning the guitar.

This is fairly mitigated by the 6 month subscription that comes with every new Squier or Fender guitar, making it more ideal for students planning on purchasing one of those specific products.

As with any new product, some people may be wary of the short history and lack of years of coverage in reviews for online guitar lessons.

Fender Play Summary

Try Fender Play Here >>

6. JamPlay

JamPlay is another veteran of the guitar lesson website world and has a long history of successful guitar coaching online.

While the site has a number of appealing features such as live lessons, famous instructors, and a plethora of tools, its song selection is widely focused on the rock and metal categories.

This makes it one of the best online rock guitar lessons even though it is structured around five, somewhat redundant genre based lesson plans.

EDITOR’S RATING:

(3.9 / 5)

Overview

Once again, JamPlay provides a lot of what beginner guitar students are looking for; quality instructors, song lessons, and a lot of diversity in the lesson options.

One nice touch is that the roster of instructors features a few high profile musicians, including Tosin Abasi, Steve Stevens, Ron “Bumblefoot” Thal, and Kaki King.

However, the web page and lesson choices are a little harder to navigate, presenting many options as opposed to a one stop shop for beginners that then branches as you progress.

Product Services/Highlights

As stated before, many of the highlights of JamPlay are based around the sheer volume of video lessons for techniques, theory, and professional styles. Another great service is the diverse set of tools found with each video lesson.

Tabs for supplemental info (tablature, backing tracks, PDF documents), notes, comments, and ask a teacher functions are all easily accessed below the videos.

Furthermore, with your subscription of $19.99 per month, you get access to live lessons, their “jamchat” forum, interviews, and fun training games. Definitely a lot of bang for your buck in terms of extras.

The Good / What We Like

There are tons of awesome features packed into the subscription mentioned above, and there are so many lessons ranging from beginner to pro level options.

All these, along with access to lessons from famous musicians, make it one of the best guitar lesson sites, but again it comes at a decent monthly price.

From the step by step acoustic guitar lessons for beginners to the plethora of electric rock and metal songs, there is a lot to like about JamPlay.

JamPlay also features one of the best sets of in-lesson or in-video toolboxes that should allow you to maximize your learning experience with supplemental materials or follow-along tablature.

The Bad / What We Don’t Like

As engaging as the lessons are, there is one flaw in their beginner lesson plan in our opinion. Instead of one, streamlined beginner lesson plan that branches out as the guitarist learns, they lead students to a page with dozens of beginner lessons and ask them to choose their own.

Some people may enjoy digging through each lesson to find the best one, but it may also frustrate some students who struggle to find what they are looking for, or begin a lesson sequence only find out half way through it isn’t the one for them.

Furthermore, your song lesson options and famous instructors are mostly focused on hard rock and heavy metal, with very little diversity otherwise, which may make it one of the best online rock guitar lessons site, but not generally the best site overall.

Jamplay Summary

View JamPlay’s Free Trial Here >>

7. Guitareo

Guitareo, though relatively new, has actually been around for years in the form of GuitarLessons.com hosted by Nate Savage.

As part of the Musora Media Inc family of music education platforms, Guitareo essentially has a rocket attached to its future as a guitar lessons provider that must be taken seriously.

In a highly competitive remote learning market, you gotta be different – and good at what you do. In this respect, Guitareo is making huge gains.

EDITOR’S RATING:

(4.3 / 5)

Overview

Guitareo’s core offering is “The Method” which is designed to give players an easy and wholistic way to start enjoying the guitar.

Aimed primarily at beginners, the course walks you through each step of learning guitar starting with basic functions such as tuning, all the way through to the principles of complex soloing.

But there’s much more than that, Guitareo is packed with highly informative video-rich content.

From a user’s point of view, the video lessons are in bite-size lengths of around 15 minutes, but can be longer or shorter depending on how long it takes to fully illustrate the lesson.

This short-form video length format not only makes it very easy to digest individual topics and concepts, it gives you a real sense of progress and lets you manage your time more effectively.

Similar to GuitarTricks, Guitareo is not necessarily driven by leveraging historically recognizable guitar gods. Still, the instructors are extremely personable, engaging and knowledgable professionals.

Product Services/Highlights

If you’re oriented towards value, Guitareo has it in spades.

Compared to other platforms, their price point is extremely reasonable at $15.00 per month. Not quite Fender Play territory and certainly not free, but you do get the insights and benefits of multiple instructor insights versus a single individual.

As video becomes more of the standard in media used for teaching, the bar keeps getting set higher. And Guitareo is no slouch – instructional videos are well produced in terms of production value using multiple angles and split screens wherever appropriate.

As mentioned, beyond the Method, you’ll find multiple sections covering specific topics in detail. If there’s a particular topic, concept, chord, scale or technique, chances are Guitareo has a lesson for it.

Like any service, you should like the people you’re working with. Guitareo’s instructors make that very easy, but some players may find the presentations a little too gimmicky for their tastes.

As for the instructors, this area is a little thin, at least for the time being. If you’ve been actively seeking out guitar lessons online, there’s no doubt you’ve come across the “Guitareo girl” Ayla Tesler-Mabe – who is a featured instructor for many of the lessons.

As we pointed out previously, you’ll find a substantial amount of course material hosted by Nate Savage. It’s clear to see the majority of Nate’s previous educational guitar material has been incorporated under the Guitareo umbrella.

If you’re a fan of having materials to work with offline, you’ll appreciate the fact that many of the lessons have downloadable assets for handy reference later.

There are jam tracks, a quick tips section and lesson “packs” which are bundles of lessons that comprehensively cover top-level techniques and topics very thoroughly.

In the Student Focus section, you have the ability to get first-hand feedback from the instructors by submitting a video. There’s also a library of live Q&A lessons, each about an hour in length, packed with insights from the teachers and feedback from students in real-time.

Likewise, the forums section is a lively communications hub where members can interact with each other. It’s also a pipeline to the platform developers and folks behind the scenes who take feedback from users, and rightly so, very seriously.

Between the Student Focus and Forums sections, you get the impression Guitareo’s platform is highly geared towards interaction.

One interesting, and ambitious feature is 500 Songs in 5 Days. The underlying premise here lies in illustrating the basic skills that can be used to play hundreds of familiar songs.

While the 500 Songs concept is sound, it’s definitely more of a primer geared towards beginner students.

The Good / What We Like

What Guitareo lacks in current content, it makes up for in opportunity.

With the amount of work being put into the platform’s growth, compatibility and usefulness, there’s no doubt you’ll see a steady stream of new content and even more robust features in the very near future.

Well illustrated lesson videos feature close-ups and split screens of the skills being applied, topics are covered thoroughly, plus the accompanying diagrams, tabs or notation are downloadable.

Even though the platform is relatively new, there’s a robust forum and options to get real, meaningful feedback from the instructors.

The Bad / What We Don’t Like

Guitareo’s strength is also it’s weakness. Because it’s one of the newer players in the lessons market, it has relatively few instructors. Additionally, compared to other sites in the space that have been around for a long time, not nearly the same volume of instructional material.

Furthermore, while the vast majority of the site is well-populated, some sections are still in the process of being fleshed out.

While there is a section specifically for Chords, scales are mysteriously missing, though they are available as videos lessons in the Courses section or can be found using the site’s search field.

Guitareo Summary

View Guitareo’s Free Trial Here >>

Online Lessons Guide

When looking for online guitar lessons it’s important to remember what the end goal is; to learn the guitar.

You should always be looking for ease of use, helpful features and tools, quality instructors, and tons of lesson options to keep you engaged as you grow.

Let’s take a look at key factors you need to consider when trying to learn guitar online.

What to Look for

An Easy to Navigate Website

Regardless of your comfort with technology, you always want to easily find what you’re looking for when you’re on a lesson site.

Time wasted searching for beginner’s lessons or a song page is practice time wasted.

Websites that have well labeled “Beginner’s Start Here” functions on their homepage are some of the best online guitar training sites because they make it so easy for new students to get started.

Even better, helpful features like prominently displayed drop down menus or website introductions serve as awesome tutorials and introductions to the product you’re either trying or buying.

A Large Volume of Diverse Lessons

Whether you’re a beginner or more experienced player, one of the first things you should look for on a lesson site is how numerous and variable the lessons are.

Unless you’re going there to strictly learn punk rock and that’s it, explore the song options, techniques, genres, or musicianship offerings to see if there is enough, engaging content to keep you on the site.

• Are there lessons on the same topic with different skill lessons so you can grow in a linear manner?
• Can you learn a handful of genres or playing styles on the site?
• How many of your favorite songs are featured?

All important things to consider when searching for the best beginner guitar lessons.

Engaging, High Quality Guitar Instructors

Different sites offer different instructor options and you should carefully comb through to find which suits you best. Do you want to learn from only one instructor who you can build familiarity and trust with?

Or, would you rather have numerous, diverse teachers and maybe a few recognizable touring musicians?

When it comes to guitar coaching online you need to be careful to make sure your instructors have a history of good reviews, testimonials from pros, and guitar skills that align with what you want to learn.

Lastly, you have to like the instructors, maybe they crack jokes, maybe they know a ton about gear, whatever it is, make sure you want to be watching them for minutes or hours at a time.

The Cost of the Lessons Makes Sense to You

For those students on a tighter budget than others, it is always important to maximize the value of your guitar related purchases.

Similar to gear shopping, you always want to get the best quality without paying top prices.

If you’re looking strictly for free online guitar lessons that may limit your options. First off, you should decide which site you like best regardless of price, and hopefully it’s one you can afford.

If not, start going down your list or ranking of the sites, and think about all the things you absolutely need to learn guitar, this is different than what you want.

Also, consider how long you want lessons or access to the site, if it’s a short time it may be worth it to pay for access to a ton of lessons, even at premium prices.

Answers To Common Questions

Not sure where to start when looking for online guitar lessons? Feel like you have more questions than answers? We’ve collected some FAQs (frequently asked questions) and with our best answers to each one included below.

Be sure to check here for a definitive guide on how to learn guitar online thanks to our reviews, informative articles, answers, and other resources.

How much does a membership to each site cost?

Generally, the prices range from $0 per month to $35 per month based on subscription plans and site to site differences.

Justin Guitar is the only completely free offering we’ve reviewed here, while Fender Play comes in at an affordable $9.99 per month.

True Fire also features over 500+ free lessons but you will have to pay for access to the full beginner lesson plan.

A free six month Fender Play subscription also comes included with every new Squier or Fender guitar and bass purchased from licensed Fender dealers, meaning you can get a good package deal of free lessons with your first guitar.

How long does it take to get good at the guitar?

Check out our very own article on that topic! The short answer is that it is different for everyone and involves a combination of forming good habits.

These habits start to stick quickly over the first few months while also building physical muscle memory and calluses over the first few weeks.

Lastly, it also takes discipline and motivation by you, the student, to make time to pick up the guitar and practice scales, chords, and techniques.

Even if it isn’t always easy or as fun as playing along to your favorite song, practice makes perfect.

What makes a guitar instructor good?

Everyone will have a different answer to this question but usually you should be looking for two things: informative lessons and an engaging personality. You’re not likely to enjoy learning from an instructor you find annoying, boring, or out of touch with your playing goals.

That’s what makes shopping around these sites important, even if one option has all the specs or subscription package you may want, are the instructors a good fit for you?

On the other hand, an engaging personality may be fun to watch, but are they also providing the best teaching and instruction possible?

Can I just learn guitar on YouTube?

Technically yes, but YouTube has a less streamlined platform and does not monitor the quality of the teachers.

Essentially, you have to sift through lots of bad or amateur instructors, and even when you find the good ones you’ve likely wasted precious time.

What’s better to learn guitar on, YouTube or a lesson site?

In that everyone may have different preferences, lesson sites are generally better places to thoroughly learn guitar.

With thousands of lessons you can take in a linear fashion as well as built in tools, you just have access to more, quality information on lesson sites.

While many players learn through some combination of YouTube videos, forums, tablature websites, and lesson sits, the best guitar lessons for beginners can be found on these lesson sites.

When it comes to song lessons, lesson paths, tools like tuners or chord finders, and years of great ratings, these lesson sites have streamlined and improved on much of the info available on these other avenues.

While they may cost more money than the others, there is a reason you are paying, dedication and quality lessons don’t come cheaply – check out our article on the best way to learn guitar online to learn more!

Can I learn my favorite songs on these lesson sites?

For the most part you probably can, unless your favorite song is some obscure, underground single. Many of these sites feature 300+ song lessons and they’re adding more every week.

While tabs and chords can be found at a number of other free websites such as songsterr.com or ultimate-guitar.com, you get the best, most detailed lessons from lesson sites like these.

What sites features famous musicians and guitarists?

JamPlay.com and TrueFire.com feature lessons from guitar luminaries like Tosin Abasi, Steve Stevens, and JD Simo.

FenderPlay.com often features live videos, interviews, or gear demos with famous musicians as well.

What site has the best beginner guitar lessons course?

Each site has their individual benefits, but one will probably stand out as the best fit for you.

Read each review above to make sure you have all the information you need to make an educated decision based on your individual needs.

When you think you’ve found your winner, see below for a quick final comparison to confirm your choice.

Is it worth it to pay for online guitar lessons for beginners?

In the grand scheme of things, you’ll get so much more out of your guitar playing with the right lessons from the get-go.

Pay once to get the best lessons, and you’ll never have to pay again when you need to re-learn or break bad habits.

Wrapping It Up, Which Provider Is Best For You?

Throughout this article, we’ve focused on four main specs throughout this article: engaging lesson plans, diverse lesson choices, affordable monthly subscription cost, and easy to navigate web pages.

But there’s more than what we see on the surface.

Editor’s Personal Notes

The remote learning space in general has become extraordinarily competitive and will continue to do so as the bar keeps getting set higher.

For us users, this is a good thing. In terms of choice, variety and price-points, there’s literally something for everybody.

At the end of the day, there are a number of factors which influence your decision for a particular educational service. Beyond the most obvious – cost, the most important elements in my opinion can be summed up in two simple questions:

• Do you like the people you’re working with?
• And, are you getting what you need out of the lessons?

Considering what you can get out of YouTube, these questions find answers pretty quick. But for some things you have to fish for the exact information you want.

The ultimate irony is that all of the services listed here got their start or at the very least have a YouTube channel. Moreover, many successful services are the result of aggressive marketing with big budgets; some are more sizzle than steak.

If you do decide to subscribe to a paid service, they better be prepared to offer up something special you can’t find anywhere else – and that’s a tall order.

Every provider has their own “secret sauce”. Hopefully, we’ve provided enough insight to give you a taste of each one.

Final Summaries

GuitarTricks

GuitarTricks has been a fan favorite and for many years. In the online guitar lessons race, it’s the dominant force and one of the most well known websites out there.

The site features great options and an extraordinary amount of material to draw from, but to be frank, we’re not completely convinced they contain anything that strictly justifies the cost of a subscription membership.

However, GuitarTricks does have a long history of success, online reviews and customer testimonials for you to justify a decision.

Truefire

Looking for a runner up? TrueFire would be choice number two thanks to their incredibly useful “In the Jam” feature that should keep students engaged longer, even after they have their beginner phase.

While their lesson selections are engaging and competitive, the price of $29 per month really limits the value when compared to Justin Guitar specifically.

However, the ability for players to practice improvising or song writing with the large selection of pre-recorded “In the Jam” tracks is a huge addition that not all sites have.

ArtistWorks

Our premium pick ArtistWorks, while still good, unfortunately comes in last place for recommended paid programs. Reasons being it has no song database, a top-heavy subscription cost, and relatively limited styles.

Having said that, we still think ArtistWorks is great at teaching specific things in depth and the instrument variety is convenient, but it just doesn’t feel as suited for modern students compared to the other sites.

More recently, ArtistWorks, has raised the bar by aggressively expanding their lesson courses in an effort to become a more robust service for modern students.

They have fully realized the need for a broader range of options for all players, including multiple styles and catering to different experience levels.

JustinGuitar

If cost is your primary motivator, the overall winner in all four categories would have to be Justin Guitar.

Why? First off, lessons via Justin Sandercoe and his website are completely free, which just makes them more accessible and a greater value than any other site listed here.

Furthermore, there is little to no drop off in quality or quantity of lessons when comparing Justin Guitar’s free site to more costly $10 per month or more options.

He has the same or more song lessons, technique lessons, and a really great section dedicated to musicianship training.

But – he’s just one guy. If his personality doesn’t resonate with you, you either have to learn to like him or look elsewhere.

Still, with all these features, we just can’t justify spending more money per month for lessons of the similar or equal quality and diversity. Reddit users certainly seem to agree as he’s one of the guitar favorites with his own subreddit.

Fender Play

If you’re a beginner who is considering buying a Fender or Squier product to learn guitar or bass on, then Fender Play is the choice for you without a doubt.

The 6 month free trial that comes with each new instrument will save you money and give you plenty of time to get comfortable with the instrument and platform before deciding to subscribe or move on to another site.

Jamplay

If you’re more into the aggressive side of guitar (hard rock, metal etc), JamPlay’s your best option with a long list of celebrity instructors, tools, and a massive library of lessons.

Similar to GuitarTricks, Jamplay has shared a long history as a go-to site for guitar instruction. Will they continue to stand up over time? Only history will tell.

Their achilles heel may actually lie in their continuous focus on the heavier style of guitar. Not a bad thing at all, but when heavy music falls out of favor with the trends, it becomes a liability.

Guitareo

Our latest addition Guitareo has a hidden advantage. They get to draw on all the experience of the other competitors to create an educational platform that’s more in line with the what students are looking for – today.

With a modest, yet robust collection of well-produced lessons and courses geared mostly towards beginners, Guitareo is thoughtfully laid out which makes getting a grip on developing your first playing skills that much easier.

On the downside the platform has relatively few instructors and some sections are obviously still under development.

On the upside, Guitareo is constantly evolving: adding functionality, content, new features, additional tools and looks to have a very bright future.

Final Comparisons

Service	Cost	Rating	Offer?
	$19.99 per Month	4.1 / 5	Trial – Yes
	$29.00 per Month	4.3/ 5	Trial – Yes
	$35.00 per Month	4.1 / 5	Trial – Yes
	$0.00 per Month	4.2 / 5	Trial – N/A
	$9.99 per Month	4.0 / 5	Trial – Yes
	$19.95 per Month	3.9 / 5	Trial – Yes
	$10.58 per Month	4.3 / 5	Trial – Yes

The post The Best Online Guitar Lessons (Reviews with Comparisons) first appeared on GuitarNiche.

Aimed primarily at beginners, Guitareo is designed to get you playing as soon as possible through great content with a strong focus on making the whole process easy – and fun.

Note: For the purposes of this article I was allowed unrestricted access to Guitareo to make sure you get a complete, first-hand and unbiased review. As some links are affiliated, I may earn a small commission at no extra cost to you.

Guitareo Summary

Editor’s Rating

(4.3 / 5)

Guitareo Prices and Membership Offers

1 Month Free Trial

$0 for 30 Days

VIEW

Monthly Payments

$15 per month

VIEW

Yearly Plan

$127 per year

VIEW

Why anyone wouldn’t want to start with the free month option is beyond me – it’s a good deal.

When you consider it’s only $10.58 a month on the annual plan, it’s an even better good deal.

Still, the relatively low price points reflect a highly competitive market – that’s very good news for you as a consumer. Whether they can be sustained over the long term is a different story.

Editor’s Note: The entire Guitareo platform is currently going through a massive update – for the better.

Guitareo’s parent company, Musora Media Inc is unifying all their offers – guitar (Guitareo), drums (Drumeo), piano (Pianote) and voice (Singeo), under one roof.

The verdict is – if you’re interested in the program at all, get in and grab the free month deal while you can!

Steve B.

Interestingly enough, Guitareo occasionally offers a Lifetime Membership. Considering the platform’s growth trajectory, this should be a serious consideration for anyone who likes the program and wants the absolute best value you can get.

At the very least, it’s worth joining their email list should it, or any new opportunity come up.

How Does Guitareo Compare to Other Programs?

Here’s a quick cross reference of how other online lessons programs rate at the highest level:

Service	Cost	Rating	Offer?
	$19.99 per Month	(4.1 )	14 Day Free Trial
	$29.00 per Month	(4.3)	30 Day Free Trial
	$35.00 per Month	(4.1)	Free Samples
	$0.00 per Month	(4.2)	Trial – N/A
	$9.99 per Month	(4.0)	50% Discount on Annual Plan
	$19.99 per Month	(3.9)	Free Trial

In Reddit’s subreddit on guitar, users tend to favour the Justin Guitar program. This may be because it’s free, and who doesn’t like free? But it is just one guy, which automatically stifles the ability to absorb perspectives from different personalities.

What Makes Guitareo Different?

Whether you’re interested in learning acoustic or electric guitar, Guitareo’s strength lies in the quality of its instructors and its core offering: the Guitareo Method.

The “Method” itself is logically graduated to allow a new guitar student find their way as easily as possible.

The emphasis here is on fun and taking the time to make sure topics are covered fully.

As with other platforms there is an underlying history built on proven principles developed over time. This is very much the result of Nate Savage’s work with guitarlessons.com for many years.

if you’re musically inclined, you’ll find instant familiarity with Musora’s other offerings – particularly Drumeo.

As mentioned, Guitareo is actually part of a larger family of specific instrument courses offered by Musora Media Inc.

The benefit for you as a student is in Musora’s ability to draw intelligent feedback from a number of musical disciplines within their network.

For instance, Drumeo’s Method is instantly familiar in layout. Moreover, there’s no doubt Guitareo is based on the same overall design, but for guitar of course.

Considering Drumeo’s long standing history of providing excellent instruction from a long list of world class instructors, I wouldn’t be surprised to see a similar future for Guitareo.

Who are the Main Faces of Guitareo?

While Guitareo does have a good number of instructors, there are two main personalities you’ll find in the primary content and across most of the marketing materials: Nate Savage and Ayla Tesler-Mabe.

Nate Savage of GuitarLessons.com

Nate Savage has been cultivating a guitar lessons system for many years – over 13 years in fact.

With his inclusion into the Guitareo family, that patience and persistence has paid off for everybody.

A quick scroll through Guitareo’s Youtube channel revealed literally hundreds of Nate’s instructional videos in the archives. That resource alone represents an extraordinary treasure trove of free lessons.

Ayla Tesler-Mabe: The Guitareo Girl

Still in her early twenties, Ayla Tesler-Mabe is direct, knowledgable and a very good teacher.

Following in Fender Play’s decision to capitalize on an under-served market, Ayla has taken on the responsibilities of putting a friendly female face on what was becoming a rather dusty collection of all-too-familiar male faces.

As they say, nothing stays the same forever, and this shift towards female inclusiveness in what has been a male-dominated industry is entirely refreshing.

Using the Interface

On Devices

Whether you’re accessing the course through a desktop or on your phone, the platform is instantly familiar.

At the time of this writing, there’s no Guitareo app in the traditional sense – the lessons and features work just fine in the browser-based format.

I wouldn’t be surprised though if, as the community and opportunities continue to grow, there may be an app version available down the road.

In fact, word is Musora is actively developing its own app, which would of course include Guitareo, due for release some time in 2023.

Video Players and Tools

Private membership videos are hosted by Vimeo. Chances are you’re already familiar with Vimeo controls which are similar to YouTube’s, and supports features such as playback speed etc.

There are a number of YouTube videos included which make use of the native YouTube video controls. If you’ve spent any time on YouTube (and who hasn’t), it’s a no-brainer to adjust playback speed and many other options.

If you have any experience with using lessons apps, you’ll find the player window features a number of familiar tools to help you learn the song as efficiently as possible.

Sections Layout

The site interface can be broken down into four main sections:

• Home – Your main point of entry including quick access to popular sections.
• Main Content – Courses, packs, lessons plus all the other meat-and-potatoes resources and materials.
• Forum and My List – As the section implies, here you can access Guitareo’s very lively forum, and keep track of you progress using the “My List” feature.
• User Profile – Your User icon. This is where you can adjust settings, account info, plus it’s your communications hub. There are also entries for the gear you use and a place to post a gear photo – which is great for sharing your problem with gear acquisition syndrome (GAS) but also good for the ego :)

Inside the Guitareo Program

Let’s have a more in-depth look at each section step-by-step:

Home

Once you login, you’re taken to the home page where you’ll find the latest and greatest program updates, quick access to the program’s core offerings, popular conversations and upcoming events.

Method

The “Guitraeo Method” is the platform’s core offering and is designed to be user-friendly especially for beginners.

Your primary instructor is Ayla Tesler-Mabe who is very personable and does an excellent job of explaining and demonstrating each topic.

The course itself is laid out in ten logical levels with each level broken down into individual lessons that cover each skill in detail.

The total number of individual lessons is 82 (yes, I counted them). And even though level 10 has yet to be released at the time of this writing, I can tell you the scope and breadth of what IS available is remarkable and extremely thorough – nice!

Before you begin the course, you might want to check out the “WHERE TO BEGIN” button at the top of the page. If you already have some fundamentals under your belt, this feature helps filter content that’s more appropriate for you.

Songs

Currently, the Songs section is sparse and looks underdeveloped. It also seems geared towards the upcoming Christmas season?

Still, a quick global search brings up tons of other song options which are easily filtered.

Coaches

In the Coaches section, we get to meet the individual personalities to learn from.

As with any human interaction, some personalities may work better for you. If you dig around a little bit, you should easily find someone you have an affinity for and fits your style.

Clicking on an individual coach will pull up their list of videos including seminars, Q&A sessions, and individual lessons. Some of these videos are from Guitareo’s YouTube channel, others are only available from within the platform.

Packs

The “Packs” section contains full courses assembled in comprehensive clusters which cover the topics in depth.

From a user’s point of view, the section represents an easy way to access some of the most valuable content on the site in one shot.

Guitar Quest – Something a Little Different

Where the majority of Guitareo’s training packs follow a more traditional approach to learning, Guitar Quest takes you on an entirely different ride.

Similar to the Method, you learn the basics of guitar but from a point of view that focuses exclusively on the fun factor.

Using creativity and musicality as driving forces, the Guitar Quest course is laid out in a very linear way via nine color-coded levels or “missions”.

If you’re into writing, recording or performance of any kind, Guitar Quest is designed to level-up your playing by applying what you just learned in a very practical and entertaining way.

For new students looking for something outside the box, or an approach that’s more similar to TikTok or even gaming, Guitar Quest offers an unconventional yet enjoyable method of learning guitar.

Check out the complete Guitar Quest review here.

Courses

In a nutshell, all courses in one place – and there are LOTS of them.

You will find a wide variety of topics including but not limited to strumming, scales, chords, techniques, exercises, reading music, music theory, lead guitar, rhythm guitar, and more.

Guitareo’s Courses section

Luckily, the handy filtering section at the top of the page makes finding a particular course topic much much easier.

Quick Tips

Keeping with trend for information in a digestible short format, the Quick Tips section is not only highly practical, but lets you quickly drill down on the precise topics you’re interested in.

Student Focus

Probably one of the most underrated sections, Student Focus gives you the chance to drill down on areas you really need help with.

Split into two sections: Student Reviews and Q&A, this section acts as a portal giving you the opportunity to ask specific questions or submit a video directly to the staff.

This type of interaction with the teachers is indispensable when you’re, for instance, trying to figure out a certain approach or need clarification on a concept.

Live

Guitareo has a schedule of live streams that cover various topics you can jump in on once you subscribe to the calendar feature.

This is a great opportunity to interact with the teachers and other students in real time. But if you do miss a live session, no worries, you’ll find it in the archives later.

Play-Alongs

Play-alongs (one of my favourite sections) is where you get to test your chops and improvise.

They’re essentially jam tracks that are conveniently broken down into individual videos illustrating all the separate parts.

The beauty of this is you can cross-reference specific skills that make up a song or you may have a particular interest in. From picking, to strumming, chord work, breakdowns, song structure etc, this section lets you expand your abilities in a very comprehensive sense.

Lessons

In the Lessons section you’ll find a smorgasbord of courses, lessons packs, tips, and pretty much everything else Guitareo has to offer.

Luckily, the Topics section at the bottom of the page makes filtering for specific interests a breeze.

500 Songs

500 Songs in 5 Days is an ambitious attempt in getting a new player to realize just how far they can go with even a modest skill set.

You don’t literally get five hundred instructional videos – that would be nuts! But you do get instructions on the basic skills needed and downloadable pdf guides to get the job done.

Chords

As the name implies, the Chords section focuses on, well, the fundamentals – chords specifically.

Instead of a series of pdfs, you get a complete illustrative video that covers the item in full.

For the time being this section is very sparse and it’s unclear as to whether it will be properly populated in the future.

Note: This section is still very much in development. And you would think there would would be a similar section covering scales – which is curiously missing.

Should you be looking for help with scales though, you can easily find what you need using the global search function.

Archives

Here you’ll find all previous streams for the record including Q&A sessions, student collaborations, special guest appearances and more. Handy if you missed one or want to re-watch a particular episode.

Between the Archives and the Forum sections, virtually any question can be posed and answered.

Forums

If you’re familiar with forums, this is a no-brainer. The Guitareo forum community is lively, full of highly relevant topics and extremely helpful.

Of course, you also get to voice your opinions on how the site is working.

From a developer’s point of view, these interactions are gold nuggets that drive platform iteration into more meaningful territory for members.

My List

The My List section is broken down into 3 categories: Added, In Progress and Complete.

This section gives you a detailed overview of your current progress.

Account Settings

Other than the obvious, this section also gives you a chance to show off your gear by uploading a pic, provide details on your current rig and share your history (good or bad) with the guitar.

There’s also an option to switch the interface to dark mode – nice!

Shop

Clicking the Shop takes you to an entirely separate area where, depending on your enrolment status, you can purchase individual breakout courses or merchandise.

Personal Notes on the Guitareo Program

Guitareo might not have the same celebrity draw of other platforms but they make up for it in sheer value through content. There’s something for everybody.

With a focus on fun, feedback and patience, Guitareo takes a lot of the dryness out of common educational tasks such as learning theory and practicing. The end result being a thoroughly enjoyable musical experience.

With unique approaches to teaching guitar such as GuitarQuest, it’s obvious Guitareo is trying to re-think the whole approach to online guitar lessons. The focus is on making the process as fun (if at times a bit cheesey at times) and enjoyable as possible.

My only real complaint is that, due to the aggressive development some sections are glaringly underdeveloped. But after reading through some of the forum interactions with developers, it’s obvious the folks at Guitareo, and Musora in general, are focusing on an ambitious growth trajectory.

In closing, whether you decide to take advantage of Guitareo or not can be a matter of how you feel about it. Easy enough if you just ask yourself some critical questions:

• Does it seem like it can meet your basic needs or goals?
• Is it easy to use?
• Is the quality up to snuff?
• Is there enough material to challenge you and allow you to grow?
• Do you like the people that you deal with?
• Is the platform stale or innovating?

Considering the free trial offered, you really have nothing to lose by trying it out to get a sense of whether the program is right for you – or not!

Editor’s Rating 4.3/5

The post Guitareo Review, Insights And Complete Walkthrough first appeared on GuitarNiche.

The Problem: G String Tuning Stability

For decades guitar players have been plagued with various tuning issues with respect to strings – particularly the G string.

Some of these tuning problems are an easy fix, such as simply changing your strings, others require a bit more work such as making detailed adjustments or repairing parts.

If you guitar’s G string (or any another string for that matter) is giving you grief, what’s the underlying cause? And what can you do about it?

If you’ve had the luxury of setting up thousands of guitars, you may have a pretty good idea of what the most likely root causes may be ;)

If not, you’re in luck, the answers to why your electric guitar’s third string is not staying in tune can be found right here:

Why Does the G String Go Out of Tune?

Body heat

Unless you’re cold blooded (or not among the living), there’s not much you can do about body heat. The simple fact is the heat from your fingers will affect the pitch and stability of guitar strings.

Here’s an interesting video that illustrates just how susceptible your G string is to body heat:

The same goes for the other strings, but for most guitars the amount of deflection from pitch is nominal and you probably don’t even notice it. Until you do!

Improper guitar setup

Anything that causes the G string to hang up and not return to its original pitch will ultimately cause tuning problems.

If your guitar isn’t set up properly, you may have loose parts or contact points that bind. For example, nut slots that haven’t been properly dressed out.

Any major point of friction, like the nut or the bridge, or anchors like the tuners are all very common sources of tuning issues.

Old strings

Without a doubt, old strings can be the cause of a whole host of tuning issues – and not just the G string alone.

Finger junk, rot, rust, corrosion and micro-fractures (metal fatigue) will all work against any string’s ability to stay at pitch.

Poor quality strings

Poor quality strings can have a number of negative attributes towards tuning stability.

Most common would be the lock winding at the ball end. If this isn’t done properly by the manufacturer the string’s pitch will continue to drop due to slippage as it gets played – often in a relatively short time.

Improperly installed strings

Any string that’s not wrapped around the tuning post enough times is a prime candidate for slippage. Of course the same could be said for the other strings.

Similarly, tuning problems can stem from having too much string wrapped around the post. The pitch will tend to drop over time as each successive wrap slowly stretches out.

The mass or gauge of the G string

String mass has a huge influence on tuning stability. Just as a string that’s too thin for a given pitch can be unruly, a string that’s too fat is just as bad.

Because a typical third string G has the largest diameter for a plain string, strange things start to happen once it gets past a certain thickness, for instance .020 gauge and up.

In a nutshell, as the linear density (mass) increases, the more the string will warble. This is especially evident in the upper frets. You’ll hear the pitch flutter inconsistently as it starts to compete with its own vibrations and the pull from the magnetic field(s) of the pickups.

Excess mass will also make a G string virtually impossible to intonate accurately.

Finger pressure

The amount of finger pressure you use and your general playing style can affect a string’s tuning. If your instrument has high or tall frets, and you play aggressively with a tight grip you will literally push the string out of tune.

If you’ve ever played a scalloped fretboard, you know just how critical finger pressure is in keeping the guitar sounding in tune.

The environment is too cold

Imagine you’re playing live on an outdoor stage in sub-zero temperatures (I’ve experienced this). That’s a minimum temperature differential of 67 degrees fahrenheit or 37 degrees celsius.

This difference between the cold instrument and your body temperature is pretty drastic. Without taking some kind of precautions, the cold will definitely have an affect on the stability of your instrument’s tuning.

String tension at pitch

For most players, the 3rd string regardless of pitch is usually referred to as “the G string”, yet the pitch has a ton of influence as to how the string reacts with the guitar.

For instance, a drop-type tuning will reduce tension causing it to react “wildly” or “wrangley” as it becomes more elastic.

In other words, the lower the string’s pitch goes, the more prone it is to tuning issues.

Headstock design

For tuning stability, a straight-pull string design is always going to be better.

Ideally, the string should span directly from any contact point to its anchor with little or no deflection.

The tradeoff though can be loss of tone because the amount of pressure needed to transfer string energy through the main contact points, the nut and bridge, is lower.

It’s well known that the design of the traditional Gibson headstock with its tilt back and angled nut slots is prone to tuning instability.

This double whammy of string pressure may be great for tone and sustain, but has to be dealt with carefully if you want to rely on it to stay in tune.

Stable Pitch vs Being in Tune – There’s a Big Difference

Pitch stability and being in tune are very closely related elements in that they’re both based on frequency, yet their ideal conditions are completely different.

Pitch stability implies any single string on its own whereas being in tune includes the other strings as a group.

A G string that can return to its original frequency after a generous under-the-chin bend is called stable – and extremely desirable.

A G string that is in complete harmony with respect to the other strings across the entire neck is called in tune – which is an entirely different thing.

Tuning Compensation

The vast majority of mass produced guitars use what’s called equal temperament tuning. In other words, each fret represents 100% of a semitone for every note on every string across the entire neck.

The problem is, this is not necessarily an ideal musical or harmonious relationship between notes or intervals on separate strings. We can thank Pythagorus for figuring all this out eons ago.

When we compared a guitar to a violin for instance, violin intonation is a product of precise finger placement whereas on a guitar, the intonation points are fixed.

Suffice to say, with the help of compensation systems such as modified fret placement (microtonal adjustments), compensated nuts etc, your chord work and in-tune-ness is much more pleasing to the ear.

String Theory

If you really want to get your hands dirty with the science of guitar strings, check out the incredibly in-depth article “String Theory – The Physics of String Bending and Other Electric Guitar Techniques” by David Robert Grimes who uses math to explain the virtuosity of artists such as Eddie Van Halen, David Gilmour, Steve Vai and others.

Solutions To Keeping Your G String In Tune

Get your guitar set up properly by a professional

Considering the cost of a professional setup, it’s a small price to pay for a guitar that is reliable and stays in tune – G string included.

A good technician will be able to address any concerns you have regarding the sloppy G and other issues that keep you from enjoying the guitar to its fullest.

Use a wound 3rd string instead of a plain G string

Replacing a solid, plain G string with a wound or “composite” string will help stabilize the string’s vibration.

Because a wound string is made of two parts: the core and the wrap, it’s also thicker. This added thickness and construction (linear density) lowers the string’s fundamental frequency which makes it vibrate slower.

While the higher tension of a wound G is normal on an acoustic or jazz guitar, the trade off for electric guitar players is in less flexibility. Pushing around a wound 3rd string requires considerable knuckle power.

It’s also important to note that the nut also has to be re-cut to keep the thicker string from binding in the slot.

Use locking tuners

Installing locking tuners is a superb way of dealing with tuning instability. By eliminating the wraps and thereby extra string length required for traditional tuning machines, tuning stability goes up significantly.

It’s no wonder locking tuning machines have become a popular upgrade for guitarists, and often offered as a standard feature on better instruments.

Use a lubricant

Whether you’re just playing vibrato or doing serious bends, strings have to slide back and forth discretely through the nut slots and across the bridge.

Lubricants, whether pencil graphite or specialty products, help to decrease the friction that can cause strings to hang up at these main points of contact.

Use quality strings

Better string manufacturers will use overall better materials and have high quality controls in place. String consistency in thickness and finishing processes such as secure lock twists at the ball end will help ensure reliable tuning.

Make sure your strings are fully stretched out

Any string that’s not fully stretched out will drive you crazy. All your strings must be fully stretched to allow their pitches to normalize or return to zero, especially after a bend.

Fresh strings should get at least three significant stretches before you can rely on them to stay in tune. Waiting an extra day afterwards is even better.

Make sure your strings are properly installed and trimmed

A simple thing like the uncut tag end of a string wagging off the end of the headstock could be the cause of why your G string is always out of tune.

As mentioned, too little or too many wraps around non-locking tuner posts should be avoided. And whenever possible, use a luthier’s knot to make sure the strings are good and secure.

What About Fender-style Non-locking Tremolo Systems?

The #1 reason the G string is even more problematic on a vintage style Fender-style tremolo system is because the nut isn’t cut and dressed properly.

How the strings are installed at the tuners, and the type of tuners themselves (locking is always better), can make the difference in whether the guitar stays in tune as a whole.

It’s also good practice to lubricate the pivot points at the bridge as well.

Understand the Personality of Your Guitar

If your guitar’s pitch is just naturally prone to wandering a little regardless of all the fixes, you can save yourself a lot of aggravation by accepting that it’s just the personality of the instrument.

Some guitars are like that. Maybe the G or B strings take a second to fall into place when you first up the guitar.

Either way, it helps to anticipate the changes, and a little expectation goes a long way.

The post Why Is The G String Always Out Of Tune? (Mystery Solved!) first appeared on GuitarNiche.

Ever since, the guitar community has been consumed with the Telecaster vs Stratocaster debate. It’s nearly impossible to say which guitar is better, as both sides have solid arguments.

However, we can zoom in on individual features and help you decide which one is better for you specifically. For example, the Strat vs. Tele sound quality, style, build quality, and price range are significant categories well worth exploring.

Telecaster vs. Stratocaster: The Difference in Tone, Sound, Body and Electronics

* Excluding special models and custom shop instruments.

Frequently Asked Questions About Telecaster and Stratocaster

It’s not easy pitting two iconic guitars against each other and looking for a winner.

The task of categorizing them becomes even more difficult considering that both models are produced by sister companies – Fender and Squier.

Overall, Fender branded Strats and Teles cover the premium options, while the Squier brand covers the affordable yet still well-made guitars for everyone.

These categorizations and target marketing can confuse first-time buyers or guitar enthusiasts looking for their next investment.

That’s why, in order to fully understand the appeal of each style, the questions about differences are well worth examining.

What’s the Difference Between Telecaster and Stratocaster Guitars?

There’s no doubt that, for most of us, both the Stratocaster and Telecaster are beautiful, visually appealing guitars.

But the first impression starts with the body. Typically, both are made from alder, which provides excellent bite and tonal resonance.

Of course we know that other common body woods were utilized early on such as pine for the Telecaster, and swamp ash for Stratocaster bodies.

However, the shapes of the bodies are intentionally different. It’s easy to identify a Stratocaster by simply focusing on the upper part of the guitar’s body.

Additionally, when looking at the Strat and Tele tonewoods, the necks are both usually maple with either a maple or rosewood fingerboard option.

The differences being both visual and plying surface: maple is light in color with a clearcoat – in other words you’re playing on a painted surface, whereas rosewood is darker and unfinished.

Body Styles

A Stratocaster features a kind of a ‘horn’ or an ‘ear’ double cutaway with the deeper cut on the treble side allowing players easier access to higher registers.

The original Strats were also designed to be much more comfortable through the use of a tummy cut and well-rounded contours.

In comparison, the Telecaster is also easily recognizable with it’s single-cutaway and harder body contours.

Electronics

Additionally in the Strat vs. Tele neck tonewood comparison, both usually feature maple. But the difference is again stark when we compare the electronics.

The Telecaster has one tone, one volume control, and a 3-way switch, whereas the Stratocaster has one volume and two-tone controls and a 5-way switch.

Finally, the guitars have different headstocks, with Stratocaster featuring a notably larger design, which many believe gives the guitar the sustain and tone players know all about.

Which Is Better – Telecaster or Stratocaster?

The most accurate answer to this question is – it depends on who you ask and your own tastes. Many rock, jazz, and country legends would passionately argue for either of the two.

When it comes to Telecaster vs. Stratocaster sound, personal preference will play the deciding role. Hence, it’s essential to try the guitar before you buy it.

Furthermore, it’s also possible that some guitarists will adore how a Telecaster feels but will prefer the sound of Stratocaster, and vice versa.

Squier Affinity Stratocaster

If you’re a beginner, the Affinity Strat might be the best option. It has a thinner neck, and the double-cutaway improves the playability. In contrast, more experienced players will know exactly how to make the most of a guitar like Classic Vibe Telecaster.

Squier Classic Vibe Telecaster

Do Telecasters and Stratocasters Sound Different?

Seasoned guitarists will recognize the difference in sound between Telecaster and Stratocaster easily. But, generally speaking, Strats offer more tone flexibility.

Originally designed for utility and serviceability, the Telecaster is somewhat more simplistic in terms of sound.

However, it has that classic “Tele twang” which has made it a favorite among rock and blues guitarists for decades.

Designed as an evolution of the Fender’s electric guitar offerings, the Stratocaster offered more tonal flexibility with its 3 pickups and creative circuit controls.

It also features a familiar tremolo bridge which allows the player to create a distinctive vibrato effect by changing the string tension.

It’s worth noting that the Stratocaster’s original electronics design has essentially remained unchanged since the 60’s and still used in regular production.

While this is a testament to its longevity, the development of the Superstrat by Ibanez was the solution to the limitations felt by guitar players that wanted an instrument more suited to modern music trends.

Regardless, both the Telecaster and Stratocaster offer incredible sonic versatility, especially in the right hands.

In fact, there are many who would testify that both instruments are perfect and fully capable of covering virtually any musical style.

Which Is More Versatile – Strat or Tele?

Both the Strat and Tele are made from traditional electric guitar materials. Their tones, while individually distinct, are not drastically different between the two, especially when compared to a humbucker-driven Les Paul.

The overall versatility of a guitar is more apparent when we consider controls and the number of pickups on each instrument.

As mentioned, the Stratocaster has three pickups, whereas the Telecaster only has two. Naturally therefor, the Strat allows the more possibilities when it comes to range.

On the other hand, the Telecaster is widely used by pros across all music genres from John 5 to Brad Paisley – the trick is being skillful enough to pull what you want out of the Tele.

Should I Buy a Strat or a Tele?

As individual guitars, another one of the main reasons both models have such impressive longevity is that, despite their similarities, each has something the other doesn’t.

Stylistically, some players prefer the relatively punchy tones produced by the Stratocaster, others relish in the simplicity of the Telecaster.

With so many factory-offered model variations available, you can essentially pick the specifications that work for you.

And when you consider aftermarket parts for upgrades (such as pickups), there are endless options for players.

Whether you’re considering a Bullet vs. Affinity model, or a Telecaster vs. Stratocaster Classic Vibe, start with reliable research. Then the choice is totally up to you.

Is a Telecaster Good for Beginners?

If your motivation is simplicity in design, a Telecaster will certainly fit the bill. But this simplicity, compared to other models, comes at the cost of flexibility for a beginner guitarist.

Still, mastering it will prepare you well for any guitar you might pick up after that. Being a “workingman’s guitar” they’re low maintenance and don’t require expensive repairs.

The Strat on the other hand tends to offer the style and design that excites a novice player. They’re also considered to be more comfortable, sonically flexible and therefore, more suitable for beginners.

Whether you choose a Stratocaster or Telecaster, or a different guitar entirely, the Fender brand is well rounded in its ability to serve new guitar players through the help of Fender Play lessons and user-friendly guitar apps.

Telecaster vs. Stratocaster: History, Style and Players

If you want front row seats to a fierce debate, simply ask the guitar community which is better, Strat or Tele?

Those who find the styles a little old-school or behind the times might find the argument a little strange. Both guitars come from essentially the same company, and have plenty of similarities.

Perhaps the Telecaster vs Stratocaster discussion is more about the musical genres they first represented in the historical sense?

Good question, let’s find out digging down a little further.

The History

The internet is full of extremely detailed information on the origins of the Fender brand and its impact on the evolution of the electric guitar.

Still, for the purposes of this article, it’s worth looking at the underpinnings as to how we got here – discussing the virtues and shortcomings of Telecaster vs Stratocaster.

Early Years

Leo Fender started working on the nascent Telecaster in 1949 in California. A year later, the Esquire was introduced to the music scene. It was the first mass-produced and commercially successful electric guitar.

Initially, the guitar was named Broadcaster, but it needed to be renamed due to a trademark conflict with Gretsch.

Oddly enough, to meet production demands the model stayed unnamed for a while and was simply labeled ‘No-caster.’

In 1951, the prefix ‘Tele’ was applied as a way to take advantage of the rise of television.

Indeed, the Telecaster has an impressive history, but what about Stratocaster?.

Fender thought of improving the Telecaster but ended up creating an entirely new model.

Finally, in 1954, the developing guitar was fitted with an extra pickup, more contours and thus, an entirely different vibrato equipped model called the Stratocaster was introduced.

Ease of Use

Whether you’re a first-time buyer, adding to your collection, or simply looking for your next instrument, it’s natural to wonder about the practical use of each instrument.

There are plenty of dedicated opinions on both sides of the discussion, but let’s look at a few facts.

First, the Telecaster is an overall simpler guitar. While this could be considered more restrictive or unforgiving to some, others admire this simplicity and welcome the challenge to gain diversity from it.

Which side of the Tele coin are you on?

Second, Strats are generally more comfortable, and more versatile sonically. But the vibrato (sometimes called the trem) system can be a tuning headache for some – especially beginners.

It’s important to note that early models of both instruments featured a 7 1/4″ fretboard radius which, while designed to be more comfortable in the hand, usually meant the strings had to be set a little higher to avoid “fretting out”.

In other words, a little less playable if you’re big on bending strings in the upper register.

Modern models of Teles and Strats feature a somewhat flatter 9 1/2″ or 10″ radius depending on the specific model and country of origin.

Musical Style

What if you’re a rock musician, which guitar is better suited for you?

According to many, the Telecaster is a guitar that can handle almost anything. As music has evolved, it’s often the go-to choice for country, blues, rock, and in more recent decades, heavy metal guitarists.

Historically speaking, the Stratocaster’s tones and design were a better fit for emerging rock and roll. Still, it was happily adopted by blues players, pop artists, R’n’B musicians and eventually, accepted into the heavy metal world as well.

Ultimately, whether one model is more prominent in a specific music style doesn’t matter – a skilled guitarist can make any tone with any guitar. As they say, “it’s all in the hands”.

Yet for many of us, our sense of which one is better can be directly linked to those we consider our guitar heroes.

You can even compare Les Paul vs. Strat or even Telecaster vs. Les Paul debates here. Depending on your influences, a Gibson or Epiphone Les Paul is another versatile option for guitarists across all musical styles.

Telecaster vs. Stratocaster Pros and Cons

Well Known Artists

Of course, finding famous guitar players in all genres that use both Telecaster and Stratocaster is not difficult.

The following list is just a fraction of the incredibly talented players you’ll find in the music industry.

Famous Telecaster Players

A few famous Telecaster players include:

Famous Stratocaster Players

Just a few notable Stratocaster players include:

As you can see, this brief list of recognizable players of Stratocasters and Telecasters is impressive – which proves our point that even though each model has a strong following, they’re both exceptional guitars.

The post Telecaster vs Stratocaster: Which Is The Better Fender Guitar? first appeared on GuitarNiche.

If you’re considering a new guitar either for yourself or your partner, there are many acoustic and electric guitars that would easily qualify as a great guitars for women.

What to Look for in a Guitar for a Woman

Let’s start with some obvious assumptions:

• The guitar should fit a woman’s body reasonably comfortably
• The guitar’s neck should be comfortable for smaller hands
• The sound should match the player’s taste in music
• The guitar’s price should fall within an expected budget
• And finally, it’s gotta look good!

Granted, the above list isn’t exclusive to females guitars for women or girls.

Compared to guitars for guys, finding a perfect fit in a guitar for a woman or a girl will have its own variations. In other words, a guitar that might appeal to a guy doesn’t necessarily mean it works for a woman.

Still, finding a perfect guitar for a female player is easy – if you know what to look for.

To help you make a better informed decision, we’ll weed out the junk and stick to better choices available from reputable sources – and that’s what we’re here for.

Women Know, Guitar is Not Just for Dudes

Reacting to a slump in guitar sales, guitar manufacturing giant, Fender, saw an opportunity in marketing guitar playing to women – and why not? There’s no reason guitar playing needs to be male-dominated.

In December of 2018, GuitarGirlMag.com published an article reporting:

“Fender Study Reveals Women Continue to Account for 50% of Emerging Guitar Market”.

Then a couple of years later, thanks to a pandemic, even more women started picking up the guitar to kill time while the storm blew over.

Fender Blazes New Paths for Guitar Girls

In a recent article from Forbes, Fender has also been keeping up with the latest in social media trends. Tops on that list is TikTok:

“It’s way more female and a lot younger than it used to be even 20 or 30 years ago.”

Fender Chief Marketing Officer Evan Jones

Women Guitar Players That Lead the Way

It doesn’t take much to conjure up a host of famous female guitar players. Well recognized personalities such as Bonnie Raitt, Joan Jett, Joni Mitchell and Sheryl Crow have been sources of inspiration for decades.

As musical styles have continued to diversify over time, so have the number of names attached to female players.

In more recent times the landscape has given way to landscape to popular names like Orianthi, Samantha Fish, Nita Strauss and St. Vincent (aka Annie Clark).

In terms of overall musical inspiration, let’s not forget Taylor Swift. Early on in her career, we saw a huge uptick in young female players picking up the guitar after being influenced by her songwriting, performance and creativity.

How to Choose the Best Guitar for a Woman – What to Look For

What Size Guitar is Best for a Woman?

While most women can easily adapt to with a full-sized guitar, you might want to consider guitars with slightly smaller bodies and shorter scale lengths of 23.5″ to 24″.

Otherwise, here are a few typical body sizes to choose from:

• Parlor
• Concert
• Classical
• Auditorium
• Contoured Electric

The long and short of it is, depending on your own physical body type, the best size guitar for a woman can be slightly different person to person.

Are You a Young Beginner or Upgrading?

Another factor to consider is where you are on your guitar playing journey.

Are you a female beginner who’s new to the instrument? Or are you looking to upgrade from an entry level guitar you’ve been using for some time.

Depending on your age, the size and type of guitar can be directly related to your age and body size.

As a gender-specific example, a typical teenage boy may be looking to upgrade to a full-size dreadnought whereas a young girl may be moving from a 3/4 size guitar into a more professional grade small bodied instrument – a guitar that will last her right through to adulthood.

Acoustic vs Electric

When you’re first starting out, choosing either an electric or acoustic guitar is a major consideration and will be directly related to your own taste in musical style.

Are you drawn more to acoustic oriented music? Or does the electric vibe suit your senses better?

There’s no right or wrong answer.

In comparison, acoustic guitars are a superb choice for beginners due to their simplicity. Being self-contained, you’re ready to go right out of the box.

Electric guitars on the other hand need extra purchases like an amplification and hook-up cables.

One important point to make between acoustic and electric guitars is the fact that some electric oriented songs don’t translate well to acoustic guitar. But an electric guitar can cover acoustic material rather convincingly with the right approach.

In a sense, you get the best of both worlds.

Having said that, there is the acoustic-electric type of guitar which, as the name implies, has one foot in each sonic camp as well. Though they do tend to lean more towards the acoustic side in terms of body style.

Overall Sound

Ultimately and as mentioned, the biggest deciding factor will be your music taste. Your sense of what speaks to you as a female guitar player has an impact.

If you want to thrash and noodle with high-gain metal, you’ll have to go electric.

With electric guitars, a major consideration is in the pickups. Being the engine of an electric guitar, they’re responsible for reproducing the the natural energy of the guitar.

Variations in different pickups types will produce more or less bottom, midrange and high end, while others will centered around warmth or modern clarity.

Plus endless combinations of all possible features designed to satisfy virtually any musical taste.

If your musical tastes lean more towards the lighter side, such as folk, you might want to go acoustic.

With acoustic guitars, the tonewoods themselves, particularly those used for the top of the instrument, become the major driving factor in sound.

Traditional top materials such as solid sitka spruce, cedar and mahogany will influence the natural tone of the guitar.

Depending on the structure of the guitar, the sound can vary from full and rich, to something like a tissue box with rubber bands!

Either way, regardless of whether your guitar is electric or acoustic, it should sound reasonably good to you.

Body Style

The design, size, and color of the guitar body, being the largest element, can make or break a decision.

Since beauty is very much in the eye of the beholder, it makes sense that your choice is based on visuals. Whatever your gender, you want it to look good!

Editor’s note: I’ve personally passed on some incredibly great playing and sounding guitars – near perfect 10’s – just because they were butt-ugly!

Style Factors Worth Considering:

Body Size: Depending on your own body type, the best size guitar for a woman can be slightly different person to person.

While most women can easily adapt to with a full-sized guitar, you might want to consider the various body styles mentioned above.

The different shapes, scale lengths, and necks are all factors that contribute to buying a guitar you’re sure is comfortable for you.

Body Type: Most female beginners will generally find a more natural fit with relatively small bodied electric guitars.

If you’re leaning more toward acoustic instruments, Parlor guitars, Concert size guitars, and Auditorium guitars would be most comfortable.

Dimensions: Body width and contour will have a significant impact on comfort. Edges that dig into your ribs or are uncomfortable under your elbow can be a deal-breaker.

Performance Style: Are you more of a rhythm player or go for leads? A guitar body with a cutaway will help you gain easier access to the upper frets allowing you to play higher notes in a killer solo.

Tonal Versatility: Do you need sonic variety? If you want versatility, consider guitars with controls that modify the output of the guitar.

With more switching combinations, you’ll have more opportunities to shape your tone.

Playability

Many factors contribute to a guitar’s playability. For instance acoustic guitars use heavier strings which, compared to electric guitars, are much stiffer to play.

Along with build general build quality, there are a few inherent properties that have a direct impact on what helps qualify a good guitar for a woman.

Scale Length

A guitar’s scale length, which is the distance between the nut and the bridge, is very much associated with the size and style of the instrument.

Generally speaking, the smaller the guitar ,the shorter the scale length.

Technically speaking, a scale length below 24.75″ can be considered a short scale, whereas a long scale would be 25″ and over.

Here’s a few examples of common guitar scale lengths:

24″ – Fender Jaguar and Mustang

24.75″ – Most Gibson and Epiphone models

25″ – PRS, Carvin, and Danelectric models

25.5″ – Most Fender, Squier, Ibanez, Jackson, Kramer and Schecter models

30″ – Short scale bass guitars

34″ – Standard length bass guitars

“What difference does scale length make?”

Simply put, the scale length will have a huge impact on how flexible the strings are to play.

Compared to long scale lengths, shorter scale lengths will feel more “slinky”. In other words the strings will feel more loose.

A short scale length combined with a smaller body style can in many cases, make a perfect size guitar for a woman.

Neck Size and Radius

The neck radius, which refers to the curve of the fretboard, is much less important than the overall shape of the neck itself.

For someone with smaller hands, a slender neck will be much more comfortable.

Most women would find guitars made Ibanez and Taylor, and many others, produce excellent instruments with player-friendly necks that are easy to get used to.

As for the neck shape, the most comfortable guitar neck profile for a woman would be the modern “C” and “D” shapes.

General Setup

When you first pick up a guitar, it should at least be playable right from the start.

A good setup will ensure the guitar is easy to manage – for instance the strings aren’t too high, and that all the controls are functioning properly.

Better guitar suppliers will offer this service for free. Plus many of the better manufacturers make sure their guitars leave the factory in great playing condition to start with.

Still, regardless of quality control, it’s not uncommon for guitars to need adjustments after the fact.

The beauty of this is, as a female guitar player, you can have the instrument tailored specifically to your playing style.

Build Quality and Materials

A guitar’s build quality can be directly related to, but not exclusive to its price point.

The brand name will also have a huge impact on the quality and materials used – and warranty.

Generally speaking, established brands like Gibson, Fender, Taylor, PRS and others exercise higher standards of quality control to ensure their customers get a better built guitar.

Whether the guitar is made in north America or overseas, you can find the right combination of quality, materials and price point that works for you.

For instance, Fender’s Squier Classic Vibe series offers an excellent value dollar for dollar. But the Squier series is not necessarily made in North America.

On the whole, look for trusted brands and buy from reputable, recommended sellers.

Price

Like the saying goes – “You get what you pay for.”

Still, there are some great deals out there. In a highly competitive market, better guitar companies want to make sure their customers are getting a good bang for the buck.

Most major guitar manufacturers will have their signature brand guitars as well as sub-brands that cover lower price points.

Here are a few examples of major guitar companies and their related brands:

• Gibson – Epiphone
• Fender – Squier
• Ibanez – Ibanez GIO
• PRS – PRS SE
• C.F. Martin – Sigma Guitars
• Takamine – Takamine G-Series
• Ovation – Jasmine

And many more.

If you’re just starting out, you might want to stick to a relatively low budget – somewhere between $200 and $400, or around the $300 mark. This is the “sweet spot” for entry-level acoustic and electric guitars.

If you have a little more to spend, the next level would be around the $600 price point.

Looking to upgrade? There are many fine and professional grade instruments starting in the high hundreds and going well up into the thousands.

Acoustic and Electric Guitars for Women – Treasure Hunting for the Eyes And Ears

Our Top 3 Acoustic Guitars for Women

1. Yamaha FG800 Dreadnought

Known for building excellent quality instruments for nearly every price any price point, Yamaha’s FG800 represents one of the greatest values in beginner acoustic guitar.

Featuring a solid top, it delivers a rich, full-bodied tone usually found in more expensive acoustic guitars.

The smooth feeling neck is extremely playable and comfortable – perfect for players just beginning their musical journey.

2. Martin LX1E Little Martin Acoustic Guitar

With well over 150 years of experience, Martin certainly knows how to build acoustic guitars. The small bodied LX1 is no exception.

Though it’s not full size, it still projects a powerful full tone, plus it benefits from Martin’s expertise in building quality instruments.

With two versions to choose from, one with electronics and one without, the LX1 hits a home run in the lower mid-hundreds sweet spot.

3. Taylor GS Mini-e Mahogany Acoustic-Electric Guitar

Not that long ago, Taylor set the bar much higher for the competition. Using innovative build methods combined with superior materials and design elements, it’s no wonder the GS Mini gets the acclaim it does.

In terms of sound and projection, this little powerhouse easily stands up to instruments sporting larger bodies, plus it plays like a dream.

Better yet, thanks to forward thinking design, Taylor guitars are also very easy to maintain compared to more traditional acoustic guitar construction.

Our Top 3 Electric Guitars for Women

1. Squier Bullet Mustang HH

Considering its entry-level price point, the Squier Bullet Mustang is without a doubt one of the best electric guitars for women looking to start playing.

With its broad sounding electronics and relatively small size, it’s fully capable of providing a truly enjoyable – and fun, playing experience.

As a well established brand under the umbrella of guitar manufacturing giant Fender, Squier is known for making electric guitars tailored to smaller budgets, and the Bullet Mustang is no exception.

2. Squier Classic Vibe ’50s Telecaster

Squier’s Classic Vibe Telecaster is hands down one of the best values in a vintage-style guitar you can get.

With it’s traditional styling and high levels of quality control manufacturing, this electric guitar represents an excellent value right out of the box.

Since its parent company, Fender, had the good sense to use really good pickups to start with, there’s very little you need to upgrade to get an instrument literally worth twice as much, plus It’ll easily last a lifetime!

3. PRS SE Standard 245 Electric Guitar

Paul Reed Smith guitars are known for exceptional build quality, astonishing playability and killer sound. The PRS Standard 245 Electric holds true to that ideal.

Though it is a more cost-effective version, the company sourced one of the absolute best offshore firms to reproduce its iconic designs to maintain the standards the PRS customers expect.

Overall the PRS SE series is, without a doubt, one of the best imported electric guitars you can get for the money – period.

Final Words

Regardless of your inspiration, guitars for women come in wonderful combinations of different body shapes, scale lengths, and necks.

All of these features should be considered to ensure you’re buying a guitar that’s the right fit for you.

All of these factors should be considered to ensure that when buying a guitar, you’re getting one that’s the right fit for you.

The post Guitar For A Woman – How To Find The Perfect Fit first appeared on GuitarNiche.